Composed in the '50s, this entertaining holiday tune has been recorded notably by Kay Star, and more recently the Brian Setzer Orchestra. A dynamic and swingin' addition to any holiday concert!

Jazz Studio Orchestra Arrangement with Vocal. Full Score, Vocal, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones (4th is Bass), 3 Violins, Viola, 3 Celli, Guitar, Piano, Bass, Drums, Synthesizer (optional),

Ella Fitzgerald recorded this arrangement on her Gershwin Songbook album of 1959. Featured is a solo for trumpet 2. We have included an optional synth part so that it may be played without the strings. This has been published directly from the original score and parts. Ranges: Trumpet 1: to C6 Trombone 1: to Bb4 Vocal Key: Bb

Der ultimative Party-Knüller von Leo Lawine !!! mit neuem Text !!!  

Apres-Ski-Hit 2010: Chris Boettcher: 10 Meter geh' jetzt mit aktuellem Text: 10 Meter Schnee.

720 in the Books is a swinging chart that will excite any vocalist and jazz ensemble! This terrific Dave Wolpe chart is arranged in two keys for flexibility, and includes a fabulous shout chorus and a tenor sax solo. Vocal range: Vocal range: high key of A-flat (male) middle B to fourth space E-flat, low key of E-flat (female) F-sharp below middle C to third line B-flat.

Here is the 1944 hit version of Accentuate the Positive, performed by Johnny Mercer (who wrote the lyrics) and the Pied Pipers, with the Paul Weston Orchestra. The arrangement is scored for full big band, vocal solo and four piece vocal backing group. The chart also works fine without the backing singers, as we have cross-cued their lines into the Trombone parts. Alto 1 doubles Clarinet in the opening verse, but aside from this there are no other sax doubles. The vocal key is F throughout. Another fine transcription from Alan Glasscock.

Transcribed from her Harold Arlen songbook album, this stunning Ella Fitzgerald chart was originally arranged by the late, great Billy May and is an absolute classic. We have simplifies the sax lines behind the opening verse to remove the instrument doubles, whilst retaining the flavour of the original concept. and made a small Trumpet voicing change in the second measure of the chart. Aside from this, the arrangement is as per the original. Ella's vocal line is written out ""as sung"", though your vocalist is free to interpret it in her own style. Aside from the written two measure Piano fill in the verse there are no solos, as it is an out-and-out vocal feature. Lead Alto is required to double Clarinet for the 16 measure instrumental section in the middle of the chart, but a Soprano can also be used here instead. The vocal key is C thoughout.

This tune was a huge hit for Dean Martin, and the same version was more recently covered by Robbie Williams on his 'Swing When You're Winning' album. We have transcribed the original chart here, and it will be a complete show-stopper for your band, whether your singer wants to be Dean or Robbie. There are no sax doubles, the 4th Trombone is written for a Bass, and the vocal key is D.

This version of Ain't We Got Fun was recorded by Doris Day, with the Paul Weston Orchestra accompanied by the Norman Luboff Choir. The original arrangement was by Paul Weston. Our transcription closely mirrors the original, except that we have cued the Trombone section with the 4 voice backing group (choir) parts, making the chart playable by big band and solo female vocalist. The chart is an out-and-out vocal feature and contains no band solos or even ensemble choruses, aside from intro, modulation and ending. The vocal key opens in Bb, modulates to C and reverts to Bb. The brass ranges are very moderate and there are no sax doubles.

Exactly as recorded by Chris Conner with the Stan Kenton Orchestra, this moody, brilliant arrangement is a perfect vehicle for your vocalist. The key is F major. The way the band supports the singer and then takes over for a short, lovely ensemble section is absolutely gorgeous. There are also extra parts which allow the featuring of others (C, Eb, Bb, etc.) 5-5-5-3 plus soloist

Choose a relaxed tempo - add a walking base line, plus a gentle rhythmic figure from the saxes and you have the perfect intro for Michael Buble to give this great standard the real style for which he has become famous. Transcribed by Cy Payne from the album 'Crazy Love' for full big band, with the opening key and modulations as recorded. Synth strings.

Key: \tBb-B-C
Vocal range: \tBb-E
Trumpet range: \tEb

Jazz Big Band Arrangement with Vocal. Here is another great Billy May arrangement from the Sinatra/Ellington album, recorded in 1967. This nice swing chart features a solo for alto sax. Jazz Lines Publications is very proud to publish these tunes, making the music of a truly landmark and historic recording session available to the public for the first time.This has been engraved from the original parts: this is not a transcription.

From Michael Buble's 2011 Christmas album.

This score can be used by just the rhythm section and string synth or string section. It can be used by a small band with or without the strings of any sort and it can be used by a big band, with or without the strings.

Key: Recorded Version in Gb. This version in F to avoid awkward transpositions.
Trumpet range: E
Trombone range: 'Low' A

This version is the actual chart recorded by Michael Buble on his Crazy Love album, and is itself based on Billy Byers' chart for the Count Basie Orchestra. Please check the writer credits on the album liner notes of you're in any doubt. (You can find the Basie version in our Basie series in the instrumentals section of our catalogue too). We have written out the Piano, Bass and Vocal lines 'as performed' by MB's band. The chart is graded as 'Medium' even though the lead Trumpet has a written high F. The 4th Trombone is Bass, and the vocal key is C throughout. There are no sax doubles.

A medium groove swing Cy Payne arrangement, with a full band intro giving a clear lead into the first vocal chorus, which has instrumental answering phrases.

An ensemble instrumental half chorus leads into the final lively vocal chorus.