Chornoten

This stunning setting of Revelation 22:12-13, 17, describes Christ's generous offering of grace to 'whoever is willing'. The piece begins with a lively opening but quickly shifts into a gentler mood,...

Commissioned by the London Festival of Contemporary Church Music, this short work sets the Eucharistic hymn by Thomas Aquinas. It starts with an expressive, rhythmic soprano line, and finishes with a...

A short anthem setting the Lord's Prayer in the version of the text from the First Prayer Book, hence the unusual spelling. This was premiered at the Brighton Festival in 2012.

In this unaccompanied setting of Thomas A. Clark's poem, Jackson beautifully conjures up the atmosphere of the onset of nightfall. Featuring a wide range of rhythms, textures, and dynamics, this is a...

Alan Bullard's first Magnificat and Nunc Dimittis, written for the choir of Selwyn College, Cambridge, can be performed a cappella or with organ. Both movements feature pleasing tonal contrasts and ha...

This touching piece sets Yeats' beautiful words describing the love of a parent for their child. Switching between major and minor tonalities, A Cradle Song is quiet and understated, with sensitive a...

The signature tune for the award-winning Swedish a cappella group Vocado, this poignant love song is characterized by mixed messages: the lover wants to leave, but can't quite bring himself to walk ou...

Setting a popular text paraphrased from the Song of Solomon, Rise up, my love is an uplifting anthem ideal for Easter services, although the text's beautiful springtime imagery would also make a lovel...

A short Mass setting for unaccompanied chorus, written for the Exon Singers recording, The Cloths of Heaven, on Delphian Records.

Skempton's Third Magnificat and Nunc Dimittis setting was written for Wells Cathedral and premiered in May 2012. The simplicity and purity of the setting is typical of Skempton's style, ideal for male...

This is a setting of the words used to conclude a communion service: 'The Mass is ended, thanks be to God.' The tenor's heraldic opening leads into the highly rhythmic 'Deo Gratias' section. Written f...

Ever-changing in mood and pace, La Musique is a setting of poems by Elizabeth Bishop and Charles Baudelaire on the transformative power of music. Jackson musically represents the complex psychological...

Here Jackson sets early Christian texts by St Augustine of Hippo, Baldwin of Forde, and St Mary Magdalene de Pazzi alongside words by Estonian poet Doris Kareva. Each movement offers a change of mood,...

Setting a fifteenth-century English text containing some short Latin passages, this is a joyful, dance-like carol with a medieval feel. The spirited, lilting melody begins in the sopranos and altos bu...

Originally published in Sun, Moon, Sea, and Stars, this piece sets a poem by Sara Teasdale that likens a heart seeking its love to a swallow's cry. Chydenius's rich harmonies, syncopated melodies, and...

This anthem was commissioned for the Enthronement of the 105th Archbishop of Canterbury, the Most Reverend and Right Honourable Justin Welby, and was first performed during the Enthronement ceremony a...

'Rigwreck' sets a text by poet Pierre Joris on the 2010 Deepwater Horizon oil spill in the Gulf of Mexico. Frequent vocal divisions in up to eight parts, a wide range of dynamic expression, spoken lin...

This is a simple and elegant miniature in characteristic Skempton style, with graceful choral homophony, seamlessly fluctuating time signatures, and hypnotic, meandering harmonies. The text, by Willia...

A piece made famous by the award-winning a cappella group Vocado, Coffee Time is an upbeat dedication to the down time we all crave, for sharing thoughts, silence, and that aroma!

O Sapientia is a tender setting of one of the seven Advent 'O' Antiphons. The rhythmic unison in this chorale-like setting brings an element of purity and calm, typical of Skempton's musical language.

Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.

Setting a stanza of Tennyson's monumental and profound poem In Memoriam A.H.H., Jackson's work deals with reflections on loss and grief.

A challenging yet delicate anthem, with subtle key-signature changes, vocal divisions in up to eight parts, and alternating homophonic and polyphonic passages, the piece combines excerpts from the syn...

This work presents two contrasting yet coherent motets: The joyful 'Confirma hoc Deus', with its jubilant, melismatic motif; and the solemn 'Factus est', which features aleatoric sequences set against...

I my Best-Beloved's am was written in 1999 for the BBC Singers and focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Fr...