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Breaking Down the C Major Scale
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Single Note Lines Preceded by a Bass Note
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Dyads and Melodic Invention
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Two Dyads per Bar
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Adding a Middle Voice
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Chord Progressions
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Root-Third in the Bottom Voice
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All Approaches Thus Far
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The C Dorian Mode
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Embellishing the Bass Line 1, Combination Note on Beat 4
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Embellishing the Bass Line 2, Combination Note on Beat 2
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Embellishing the Bass Line 3, Combination Notes on Beats 2 and 4
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Root-Fifth
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A Freer Bass Line Approach
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Chord Shapes: Arpeggiation
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More on Dyads Part 1, Dyads are Chord Notes Only
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More on Dyads Part 2, Dyads are Chord Notes and Other Scalar Material
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Syncopation
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Adding Chromatic Tones in the Melody
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Modern Sounds Part 1: f5 and s5 in the Middle Voice
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Modern Sounds Part 2: Adding Maj7 to Minor Chords in the Middle Voice
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Modern Sounds Part 3: f9 and s9 in the Middle Voice
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Modern Sounds Part 4: sus4 Chords
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Combining Notes in a Higher Register With Open Strings
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The Key of G Major
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The Key of G Minor
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The Key of D Minor
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Summary
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