Philip Joy

The guiding concept in this piece, as in my Motet Without Words, was to take the "Neo-Tonal" triad (G-Bb-C) and ask the intriguing question: what would Baroque Music have sounded like if composers had...

The idea of a purely clarinet ensemble was an inspiration to write a cappella in twelve real parts. Mendelssohn's concept of a Song Without Words is here translated into Renaissance terms and the piec...