Muzio Clementi, who was rather more magnanimous in his praise of Mozart than Mozart was of him - 'Until then I had never heard anyone perform with such grace and elegance' - towards the end of his lif...
From the start, the size and nature of the scoring of Mozart's Serenade for 12 Winds and Contrabass K. 361 (conventionally called either Serenade for 13 Winds or Gran Partita) and the unusual length o...
A 'symphony quintetto' adaptation of one of Haydn's favourite works made by John Peter Salomon, and now published for the first time in full score with parts. The keyboard contribution is optional, th...
These effective and memorable variations were published more than 14 times as the work of Mozart, and never once under their true name. Mozart himself is said to have used them as favourite teaching m...
Anton Eberl, nine years younger than Mozart, also began life as a prodigy, and became a friend of Mozart and probably also a pupil; his compositions show such an acquaintance with Mozart's style that...
