Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...
Composed in 1928, Ellington's The Mooche was characterized as jungle style at the time thanks to the unique instrumentation and rhythmic style. Mark Taylor's outstanding version for younger players al...
The Hal Leonard Jazz Combo Paks are a versatile and inexpensive way to put four fantastic charts in front of your high school or college combo. The flexible instrumentation provides many options for c...
16 renditions of Duke Ellington jazz classics in arrangements for piano, voice and guitar with awesome online audio backing tracks featuring a full back-up jazz ensemble so you can sound like you're p...
Big Band music at its best! - 'I'm Beginning To See The Light' des großartigen Duke Ellington war 1944/45 gleich in mehreren Versionen in den amerikanischen Charts vertreten; neben der Aufnahme des'Du...
Originally arranged for Ernie Andrews, this hard-swinging chart provides a real workout for band and vocalist alike. The blues-infused style features interplay between the singer and the band as well...
Maybe not as well-known as some other famous Ellington standards, yet What Am I Here For? is an engaging and tuneful composition that certainly deserves more notice. Arranged in a medium swing style,...
Take this swingin' Ellington favorite and put it in the skilled hands of Michael Sweeney and you have a magnificent teaching and performance piece for beginning jazz groups. The style is authentic eve...
One of the true gems from the Ellington catalog of great songs, here is a marvelous setting for vocal soloist with jazz ensemble. The style is slow swing, and the mood is sensuous and lush.
This chart has it all. Featuring a great swing feel, solid scoring and dynamic contrasts, this arrangement is perfect for younger bands just learning to swing, or experienced bands showing that they c...
