First introduced in 1928, this familiar song has gone on to become one of the most recorded standards of all time, including recently by Tony Bennett with Lady Gaga. This swingin' version for vocal so...
This timeless classic has long been a favorite with jazz singers. Mark's version is in a medium swing style and provides a terrific background for your featured vocalist.
Dieses einfache Arrangement, das mit einer kleinen Gruppe (Alt, Tenor, Trompete und Posaune) beginnt, bietet viel Abwechslung in der Besetzung und einen schön fließenden, moderaten Swing-Stil. Außerde...
Unsere Version von Sunny Side of the Street, die durch das Tommy Dorsey Orchestra berühmt wurde, basiert auf der Version des verstorbenen großen Syd Lawrence. Die Form und Struktur basiert auf der Ori...
Written as a reaction to the famous Wall Street Crash, this standard has been recorded by a variety of performers, from Louis Armstrong to Cyndi Lauper. Perfect for show choirs, this arrangement will...
Get your band into that Jazz Jamaica Groove with this Jamiroquai / Jools Holland Ska Version from 'Small World Big Band' (Includes optional alternative trombone solo part). Key C. Down a Minor 3rd and...
Trombones front and center on this one! Recorded by the Clayton-Hamilton Jazz Orchestra on Absolutely, here is a fabulous chart that features a relaxed two feel in the beginning, then gradually gather...
Jazz vocal quartets/groups are happening! Feature a soloist, vocal quartet or SATB choir with your jazz ensemble! A medium-swing arrangement by Darmon Meader, the musical director and chief arranger o...
I'm in the Mood for Love is today a "standard" song released in 1935. The music was written by Jimmy McHugh, with lyrics by Dorothy Fields. The song was introduced by Frances Langford in the film "Eve...
McHugh wrote for all areas of popular music, including melodies for The Cotton Club, Broadway and Hollywood musicals. His musical collaborators read like a Who's Who of songsters; besides his early pa...
Written for an obscure, short-lived musical that never made it to Broadway, this song caught the ear of Nat King Cole who promptly recorded it in 1956 and it became a lesser-known standard in the grea...
Recorded by New York Voices on their Sing, Sing, Sing album, this contemporary Darmon Meader arrangement offers superb vocal jazz writing. Perform with the SoundPax or consider using the full jazz ban...
A jazz standard in every sense, this Jimmy McHugh and Dorothy Fields' song has received countless performances and cover recordings since 1930. Versatile and lively, this arrangement captures the orig...
Here's a fun jazz setting of an old favorite arranged just for treble voices by noted jazz educator Steve Zegree. It's an ideal arrangement for either kids' or women's voices, and the piano accompanim...
Creative use of unisons will give young groups added confidence, and the polished ensemble writing adds just the right contrasts in this Basie-style masterpiece.
Although this tuneful standard has been recorded by a number of jazz artists through the years, Beverly Kenney's version from 1957 caught everyone's attention recently thanks to the television commerc...
