Commissioned by 'ADAM', International Literary Review for a celebration concert at the French Institute, London on October 17th 1968. The piece is based on the notes implied by A-D-A-mi.
This volume of candid conversations with the late Claudio Arrau is both a subtle portrait of one of the world's great concert artists and a vivid exploration of his unique and intensely felt beliefs a...
Michael Flanders and Joseph Horovitz. This popular work for unison or two-part voices and piano with optional bass and drums opens with a splendid storm, above which God can be heard muttering about t...