Although I had already set separate Latin versions of both the Magnificat and Nunc Dimittis, this is the first time I've made a setting in English of both texts for use at Evensong. I have often attended Evensong in the Cambridge college chapels: it's a service whose meanings and spirituality are quite different from any other, and it has its own special atmosphere. Evensong's coupling of Magnificat and Nunc Dimittis texts is fascinating: the exuberant celebration of the former contrasts so marvellously with the intimate reflections of the latter.

In my Evening Canticles I have tried to make the most of that contrast. The Magnificat is forceful, replete with sprung rhythms, polymeter, and bright harmonies showing off the brilliance of the choir. Some use is made (especially near the opening) of free rhythms in which every singer performs a passage at their own speed, creating a spray of sound. The Nunc Dimittis, on the other hand, is predominantly clear and transparent, even austere, allowing the singers to shape melodic lines with expression and lyricism, as befits the text.

I was enormously excited to be invited to compose my Evening Canticles for Andrew Nethsingha and the Choir of St John's College, Cambridge. I want to thank all the performers for giving the work such a splendid launch, and for the magnificent recording on this Online Audio. The work is dedicated to Andrew Nethsingha.