Juliana Hodkinson

Juliana Hodkinson's Is There Something You Can Tell Us for String Quartet. This ten minute piece was written for the Anima Quartet and was comissioned by SWR (South-West German Radio) for first perfor...

2001. For clarinet and piano. Duration: c. 7 minutes.

Can Modify Completely/In This Case/Not That It Will Make Any DifferenceXXXXX. for Electric Guitar solo and Orchestra by Juliana Hodkinson (2015). To be premiered by the Danish National Chamber Orchest...

1999. For Soprano, Bass recorder and Guitar.

All That We Cannot Say (2001) for Oboe and Cello (with two assistants).

Inapparent Air And Aviary for small Ensemble was composed by Juliana Hodkisnon in 2004. Written for Enemsble Reconsil, Vienna.

When the wind blows was written for Catherine Laws, and first performed at Peninsula Arts, Plymouth, 18th March 2009. I dedicate this piece to my son, Magnus Yarra; I wrote it during our first months...

Prompt, Immediate, Now / Very Restrained And Cautious for Clarinet, Percussion, Viola, Cello and Audio Samples by Juliana Hodkinson was composed in 2013.

Parts for Prompt, Immediate, Now / Very Restrained And Cautious by Juliana Hodkinson, for Clarinet, Percussion, Viola, Cello and Audio Samples.

Angel View by Juliana Hodkinson, scored for seven or more performers and electronics. 'Angel View is an assemblage of urban and musical debris, somewhere between a wordless live radio play, enacted fi...

The Coastline Piece III: West by Juliana Hodkinson, for amplified Ensemble and sound files for stereo playback

Turbulence - or, 'the underlying forces usually hidden'- an Opera in three scenes by Juliana Hodkinson (2013). Libretto by Cynthia Troup. For soprano voice with electronic pocket piano* and groovebox*...

Sagte Er, Dachte Ich for Chamber Ensemble was composed by Juliana Hodkinson in 1999.

Written for the Cailin Quartet, Copenhagen. Commissioned by the Academy of Fine Arts (Akademiet for de Skonne Kunster) with funds provided by Statens Kunstfond. First performed at the Academy's annua...

I Greet You A Thousand Times for amplified orchestra, with video projection, audio playback, sampler and lighting (2005). Video by Joachim Koester. I Greet You A Thousand Times wascommissioned by Od...

Electronics for All My Friends Really Are Superheroes by Juliana Hodkinson. All My Friends Really Are Superheroes was commissioned by Samuel Stoll, and first performed by him atTate Britain, London,...

Machine à Eau for Cello solo and String Ensemble (1998). Machine à eau was written under the auspices of the Pépinères europènnes poru jeunes artistesprogramme with support from PEJA, the City of Mon...