Thomas G. Leslie

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a 'lion' act one time, and a 'trapeze' act the n...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...