In 1928, Amédée-Landély Hettich, a vocal teacher in Paris, asked Castelnuovo-Tedesco to write a vocalise for the Répertoire moderne de Vocalises-Études, the publication of which he was supervising at...
In this Second Piano Quintet Op. 155 (Beverly Hills, 1951), Mario Castelnuovo-Tedesco, an exile in the United States since the racial laws, abandons himself to the wave of 'Memories of the Tuscan Coun...
In the Two Sonatas for Trumpet and Piano, Mario Castelnuovo-Tedesco combines his composing mastery with didactic purposes. The two works are just as suitable to the concert hall as to music schools an...
The Concerto n. 3 for Violin and Piano, written in 1939 for Jascha Heifetz, was the first work by Castelnuovo-Tedesco after he went on exile to the United States. Unusually, this concerto requires a p...