Matt Johnston

Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it r...

Georg Philipp Telemann (1681-1767), is one of the most prolific composers of all time. He wrote a great amount of music for wind instruments, including many concerti and sonatas for flute, oboe and ba...

One of the cornerstones of the concert band repertoire, this three movement suite (March: Seventeen come Sunday; Intermezzo: My Bonny Boy; March: Folk Songs from Somerset) was composed in 1923 and rec...

Instrumentation: Solo Flute, Oboe, Clarinet, Bassoon, Horn, Timpani, Triangle, Harp, Violin I/II, Viola, Cello, Double Bass

The familiar flute duet, arranged for 2 Flutes and Strings (Violin 1 and 2, Viola, Cello, and String Bass). May be used with string orchestra as well.

This arrangement features a colorful, yet light accompaniment to this delightful flute solo. A great piece to feature your first chair player or a visiting soloist.

The Enigma Variations (Variations on an Original Theme, Op. 36) of Edward Elgar is an orchestral work consisting of an original theme with fourteen variations was composed in between 1898 and 1899. Th...

Have you been feverishly practicing your Prokofiev excerpts only to find out that you won't be playing his Classical Symphony any time soon? Well, here is your chance! This challenging transcription i...

A favorite duet for flutists everywhere, arranged and adapted for two clarinets and piano.

Although mostly known for his orchestral music and Requiem, Gabriel Faure (1845 - 1924) composed more than 70 works for voice and piano, and was once commended by Maurice Ravel for saving French vocal...

Without a great body of repertoire by the most famous composers, it is neat to know that this Romance is the only piece that Edward Elgar composed for a solo wind instrument with orchestra. Composed i...

Giovanni Bottesini (1821-1889) was widely regarded as the Paganini of the double bass and was one of the first champions of the instrument. Though he composed a wide range of music, from chamber music...

Which of the Holst Suites is your favorite? Here is another cornerstone in the concert band library which consists of four movements (March, Song Without Words - 'I'll Love My Love', Song of the Black...

A great piece for Halloween, or just for whenever you want to play it. The devilish violin solo at the opening has been replace by a pair of clarinets to achieve that haunting tritone. Also, the origi...

A transcription of the Fugue from the Fantasie and Fugue in G minor. A moderately difficult piece, but fun to play once all the parts come together. The optional parts allow the piece to be expanded t...

This newly revised edition of perennial favorite 'The Elephant and the Fly' is based on the original parts published in 1918. This updated version includes a full score, in addition to a few adaptatio...

Juan Gutiérrez de Padilla (ca. 1590-1664) - Stabat Mater für Fagottquartett, bearbeitet von Matt Johnston. Juan Gutiérrez de Padilla (ca. 1590-1664) war ein spanischstämmiger mexikanischer Komponist d...

Juan Gutiérrez de Padilla (ca. 1590-1664) war ein spanischstämmiger mexikanischer Komponist der Renaissancezeit. Obwohl er in Málaga, Spanien, geboren wurde, zog er 1620 nach Puebla, Mexiko, und wurde...

Juan Gutiérrez de Padilla (ca. 1590-1664) war ein spanischstämmiger mexikanischer Komponist der Renaissancezeit. Obwohl er in Málaga, Spanien, geboren wurde, zog er 1620 nach Puebla, Mexiko, und wurde...

Crucifixus von Antonio Caldara, arrangiert für Fagottchor von Matt Johnston. Instrumentierung: 16 Fagotte.

Maria Virgo aus 'Sacrae Symphoniae', Buch 1, von Giovanni Gabrieli, bearbeitet für Fagottchor von Matt Johnston. Instrumentierung: 10 Fagotte.

Salvation is Created von Pavel Chesnokov, arrangiert für Fagottchor von Matt Johnston. Instrumentierung: 5 Fagotte, Kontrafagott (oder Streichbass).

A rather simple piece in itself, Johann Sebastian Bach's chorale prelude on the hymn tune 'Wachet auf, ruft uns die Stimme' is the first in the set of Bach's Schübler Chorales (BWV 645), a collection...

A rather simple piece in itself, Johann Sebastian Bach's chorale prelude on the hymn tune 'Wachet auf, ruft uns die Stimme' is the first in the set of Bach's Schübler Chorales (BWV 645), a collection...