Rebecca Clarke

Clarke's duo is in two contrasted movements and was originally written as a concert piece for the composer to play with the English cellist May Mukle.

This volume contains all of the shorter pieces for violin and piano, comprising new editions of 'Chinese Puzzle' and 'Midsummer Moon' and the first publication of 'Lullaby', all edited from materials...

A collection of six pieces for the viola - the instrument which made Rebecca Clarke a well-known name. The pieces aren't too difficult (most being suitable for around Grades 6-7) and several would mak...

For viola and piano. This piece is one of the finest compositions for viola by one of the instrument's greatest players. It is luxuriant in melodic inventions and startlingly beautiful in its instrume...

This collection includes all the songs with piano published by OUP during the 1920s and 30s, plus eight songs never before published. The songs are extremely varied, and the piano partners the voice t...

Composed in 1941, this is the first publication of this work.

Die Ausgabe ist Teil des ABRSM-Lehrplans (Klassen 6-8).

Clarke's SONATA FOR VIOLA represents the peak of Rebecca Clarke's compositional career, being well-received upon its premiere in 1919 and tying for first place in a composition competition with a piec...

This collection contains all the extant shorter pieces by Rebecca Clarke for cello and piano, both original compositions and arrangements. Clarke's transcriptions make up around half of her works for...

Das Trio von Rebecca Clarke, das 1921 in der Wigmore Hall uraufgeführt wurde, kann mit Fug und Recht als ihr Meisterwerk bezeichnet werden. Dieses ausdrucksstarke und emotional komplexe Werk ist eine...

This attractive and concise setting of the Mass (without Creed) has flexible scoring, being for 2-part choir (upper and lower voices), or SATB, and organ. The communion motet Tantum ergo is also for 2...

Ralph Waldo Emerson's secular text concerning music's omnipresence ('But in the darkest, meanest things there always something sings') is set with affecting and arresting simplicity.

This lovely piece from the 1940's is back by popular demand. Ideal for study or recital. Also available for Cello and Piano.

This lovely piece from the 1940s is back by popular demand. Ideal for study or recital. Also available for viola and piano.

By turns charming, tender, and ironic, these songs make an excellent concert suite and wonderful encores. They are scored for voice and violin.

Rebecca Clarke worked in the string quartet medium over virtually the whole of her long life, either as a performer, a composer, or a teacher. The two movements published here are Clarke's only known...

This exquisite setting for SSA unaccompanied voices of a well-known Marian motet (in Latin) was the first of Rebecca Clarke's choral works ever to be published.

With plenty of excitement and anticipation, this exuberant carol sets a medieval macronic text, featuring changing metres and a driving piano part. Also available in a version for solo low voice.

A setting of specially-written texts by children, the subject matter is the sun, the moon, and the stars. The songs are linked by spoken narration, resulting in a rich and vivid tapestry. Orchestral m...

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. Also available in versions for solo high voice...

This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effects.

Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...