Richard Dering

Respond For Michelmas for six voices.

For SS or TT Choir with and Organ, edited by Richard Charteris.

The music of Dering forms a lively commentary on the complex artistic interchange between England and the continent in the early seventeenth century, and the picture is extended with this collection o...

Continuing the Society's series of Dering motets, this setting of 'Ave Maria' from the 1617 'Cantiones Sacra' is mainly homophonic, with a few imitative phrases. It displays Dering's love of the augme...

Perhaps Dering's most well-known work, this concludes the Society's series of Dering motets. The SSATTB disposition allows for plenty of antiphonal effects and rich textures. The work builds to a clim...

This is a setting of the opening verses of the hymn attributed to Saint Bernard of Clairvaux which is used at Vespers on the Feast of the Holy Name of Jesus. It is typical of Dering's writing with mar...

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of diffi...

The Italian 'madrigal' style of this music, unusual for English composers, arose from the special circumstances of Roman Catholic composers who chose to work on the continent. Dering himself was organ...

Motet for SATBB Choir edited by Richard Lyne. No. 18 from Cantiones Sacrae, 1617.