Richard Proulx

For solo organ. This free fantasia is organised around two principal themes: a fanfare-like motif derived anagramatically from the letters SAINT LOUIS ROI, and the familiar Mode VI alleluia. By turns...

Based on an ancient Hebridean refrain, this setting weaves in many mock-Medieval elements, inluding bits of canon and cantus firmus. The sound is at once modal and modern, and the piece, while easy to...

For unaccompanied SATB. The anonymous words for this piece, four brief reflections on the pleasures and insults of love, are drawn from sixteenth- and seventeenth-century English texts. The brevity an...

With either a small ensemble or large choir, the unique texture of two mixed voices is highlighted in unison, canon, and two-part harmony.

For unison upper voices and organ. This gently flowing anthem or introit is highly effective and useful on almost any occasion, especially when celebrating music itself.

For SATB, organ, and trumpet or brass and timpani - 2 tpt, 2 tbn (alt. hn), and timp - Opening with a brass fanfare, this adaptation of Psalm 96 to the well-known tune 'Crucifer' makes a terrific piec...

For SATB, organ, timpani, and optional trumpet, plus unison congregational hymn. The words of this anthem 'Lift up your heads, O ye gates!' followed by the congregational hymn 'All glory, laud and hon...

This third century text has been sung during the lighting of lamps in the church for hundreds of years. This new translation is intended to be sung before the singing of Psalms or as a devotional hymn...

Choral Piece by Richard Proulx.