Rosana Eckert

Dieses Lied von Jimmy McHugh und Dorothy Fields ist in jeder Hinsicht ein Jazzstandard und wurde seit 1930 unzählige Male aufgeführt und gecovert. Dieses vielseitige und lebhafte Arrangement fängt die...

Sugar pie, honey bunch, you know how I love you-Your choir will love performing this 1965 #1 hit by the Four Tops in this fun and easy-to-learn pop arrangement.

Anyone who has ever waited for the phone to ring with a call from that special someone will love this one! Well-written vocals complement a fun rhythm section that will have your audience reaching for...

Set in a medium swing, this setting of the Irving Berlin classic will not disappoint! Available for SATB, SSAA, ePak(R) and ShowTrax CD. Performance Time: Approx. 4:30.

Beebop City ist ein fröhlicher, beschwingter Swing-Titel, der die lebhafte Energie einer Jazz-Metropole einfängt und sich hervorragend für die Arbeit an Swing-Stil, Synkopen und Jazz-Sprache eignet. H...

Beebop City ist ein fröhlicher, beschwingter Swing-Titel, der die lebhafte Energie einer Jazz-Metropole einfängt und sich hervorragend für die Arbeit an Swing-Stil, Synkopen und Jazz-Sprache eignet. H...

One of the top groups of the 1970s, the Carpenters are one of the best-selling musical artists of all time. The smooth melodic lines of this pop hit from 1970 makes it an excellent choice for graduati...

Great singing can inspire us, surprise us, make us laugh, or make us cry. It can draw the listener in, creating a shared experience of stories and emotions, communicating the singer's unique point of...

Bei uns im Angebot: Erhalten Sie 10 Ausgaben im Set zum stark reduzierten Preis. Jetzt zuschlagen (solange Vorrat reicht)! Originally an easy-listening pop hit for Petula Clark, this song lends itself...

Originally an easy-listening pop hit for Petula Clark, this song lends itself well to a vocal jazz setting for mixed and women's groups, offering opportunities to develop intonation, blend, rhythm and...

Originally an easy-listening pop hit for Petula Clark, this song lends itself well to a vocal jazz setting for mixed and women's groups, offering opportunities to develop intonation, blend, rhythm and...

Here is a song written in the big band era, first sung by jazz vocalist, Ella Fitzgerald, in 1939 and ideal for introducing beginning and developing groups to swing style. In the Discovery Series, it'...

Here is a song written in the big band era, first sung by jazz vocalist, Ella Fitzgerald, in 1939 and ideal for introducing beginning and developing groups to swing style. In the Discovery Series, it'...

Originally an easy-listening pop hit for Petula Clark, this song lends itself well to a vocal jazz setting for mixed and women's groups, offering opportunities to develop intonation, blend, rhythm and...

Originally an easy-listening pop hit for Petula Clark, this song lends itself well to a vocal jazz setting for mixed and women's groups, offering opportunities to develop intonation, blend, rhythm and...

Dieses Lied von Jimmy McHugh und Dorothy Fields ist in jeder Hinsicht ein Jazzstandard und wurde seit 1930 unzählige Male aufgeführt und gecovert. Dieses vielseitige und lebhafte Arrangement fängt die...

Vocal Jazz has never been this fancy-free in the capable hands of composer/vocalist/lecturer Rosana Eckert. 'It's not the color of your hair, it's what you say and what you do' rolls off the tongue wi...

Vocal Jazz has never been this fancy-free in the capable hands of composer/vocalist/lecturer Rosana Eckert. 'It's not the color of your hair, it's what you say and what you do' rolls off the tongue wi...

(4) original flavor of the Clifford Brown blues classic

Here is a song written in the big band era, first sung by jazz vocalist, Ella Fitzgerald, in 1939 and ideal for introducing beginning and developing groups to swing style. In the Discovery Series, it'...

Here is a song written in the big band era, first sung by jazz vocalist, Ella Fitzgerald, in 1939 and ideal for introducing beginning and developing groups to swing style. In the Discovery Series, it'...

A jazz standard in every sense, this Jimmy McHugh and Dorothy Fields-penned ditty has received countless performances and cover recordings since 1930. Versatile and lively, this arrangement captures t...