Sally Beamish

Variations on a Theme of Benjamin Britten by Sally Beamish ist ein 18-minütiges Werk für Streichorchester. Das Hauptthema des Werks entstammt dem zweiten Satz, Sunday Morning, aus den Four Sea Interlu...

Nine Fragments, das vierte Streichquartett von Sally Beamish, ist ein 20-minütiges Werk, das an Robert Schumanns Streichquartett Nr. 1 in a-Moll anknüpft. Das Stück wurde mit finanzieller Unterstützun...

Unquiet von Sally Beamish ist ein 6-minütiges Werk aus Variationen über das Lautenlied Unquiet Thoughts von John Dowland für Gitarre solo. Dem Hauptthema am Ende des Stückes gehen fünf Variationen vor...

Maple arose from a commission to write a work for solo cello, to be performed alongside readings from artist John Newling’s collection of letters entitled ‘Dear Nature’; a poetic manifestation of our...

The full score and parts to Crescent, composed by Sally Beamish for trumpet, viola and piano in digital sheet music format [EP73718].

Solo Pf - 1.2.2.2 - 2.2.0.0 - Perc/Timp - Str

Can you hear me? is written for eight-part a cappella choir and sets a new text by Peter Thomson that asks simple but fundamental questions about the need for human contact. First performed by the Nat...

A 10-minute mimed Nativity for young children, with one continuous song involving audience participation. The included CD contains two vocal performances: one by an adult and the other by a child. The...

Innocence and Experience takes its texts from Songs of Innocence and of Experience, an illustrated collection of poems by William Blake, which was first published in two volumes in 1789 and 1794. Each...