This set of 3 Mazurkas was a co-commisson by the Barbican Centre, Carnegie Hall, Los Angeles Philharmonic Association, San Francisco Symphony and Het Concertgebouw NV. The first performance was given...
Thomas Adès composed the score for the 2019 film Colette starring Keira Knightley and Dominic West, which is based on the life of the French novelist Sidonie-Gabrielle Colette. The film explores her f...
This suite of exquisite portrait pieces for violin, clarinet, cello and piano was composed in 2005 and distils the essence of six numbers from Adès's astonishing opera The Tempest into purely instrume...
Thomas Adès's Piano Quintet (2000) is a vivid reimagining of sonata form (complete with exposition repeat). Whilst it's themes are recognisably tonal, these simple building-blocks are the starting-poi...
'… a magnificent orchestral journey through chaos to consolation.' The Times (Geoff Brown), 20 February 2010
Thomas Adès's second work for string quartet, The Four Quarters was written for the Emerson Quartet and was premiered by them at Carnegie Hall in 2011. The winner of the 2012 British Composer Award fo...
Seit über vier Jahrzehnten kennt man Nancarrows Musik für mechanisches Klavier mit ihrer kaum ausführbar klingenden, akrobatischen Kompliziertheit. An die Stelle einer traditionellen Notenschrift trit...
Thomas Adès' Piano Quintet (2000) is a vivid reimagining of sonata form (complete with exposition repeat). Whilst it's themes are recognisably tonal, these simple building-blocks are the starting-poin...
In der Originalpartitur des Violinkonzertes fordert György Ligeti die Interpreten seines Werkes dazu auf, eine eigene Solokadenz zu erfinden. Thomas Adès nahm diese Einladung gerne an und verfasste 20...
Life Story Op. 8 (1993), for soprano with two bass clarinets and double bass, was first performed by Mary Wiegold and the Composers Ensemble conducted by the composer at the West Road Concert Hall, Ca...
The full score for this large work for orchestra, written in 2005 for violinist Anthony Marwood. The complete score and parts are available for rental only. Please contact [email protected]...
A tour de force of precocity. Unconventionality and tradition mingle and are rudely juxtaposed in a way that rivets attention. The Sunday Telegraph (Michael Kennedy), 4 July 1999 Instrumentation: fl(=...
The first performance of 'Traced Overhead' was given by Imogen Cooper at the Pittville Pump Room, as part of the Cheltenham International Festival of Music on 20 July 1996.
The first performance was given by the London Sinfonietta conducted by Oliver Knussen in the Barbican Hall, London, on 11 February 1994, Instrumentation: 1(=picc).1(=ca+sopranino recorder).1(=Ebcl+bcl...
This piece is an explosion of John Dowland's lute song 'In Darkness Let Mee Dwell' (1610). The first performance of 'Darkness Visible' was given by the composer at the Recital Hall, Franz Liszt's hous...
This piece takes its title from a painting by Daniel Maclise (1806-1870) in the Manchester City Art Gallery. Its subject is the mock Celtic Legend of a water nymph who falls for a mortal and struggles...
Composer's note: Catch structures itself around various combinations of the four instruments (piano, cello, violin and clarinet). There are several games going on: at the start, the clarinet is the ou...
'January Writ' is rated as difficult.
Ever since its premiere in 1994, Thomas Adès' first string quartet, Arcadiana has been captivating audiences with its evocations of vanishing, vanished, and imaginary idylls. Of all the work's movemen...
Thomas Adès's Op. 1 is a romantic, fanciful, finely wrought response to colourful 'minor poems' of T.S. Eliot, with ingenuities unobtrusively tucked away into the composition. At the close of 'New Ham...
Thomas Adès's four Purcell arrangements, Four Songs, for medium voice and piano are ideal repertoire for recitals. The collection is comprised of two of Purcell's Tempest songs 'Come Unto these Yellow...
The newly published piano score of Thomas Adès' Concert Paraphrase on Powder Her Face.
It already counts as a modern classic...' The Observer (Fiona Maddocks), 6 April 2014 Instrumentation: Duchess (S)/Hotel Manager (B)/Electrician (T)/Maid (S) 3 cl(I in Bb=bcl+ssax+bsax.II in A=bcl+asa...
Thomas Adès's Brahms for baritone and orchestra (2001) is a setting of Alfred Brendel's poem 'Brahms II' in which the malodorous ghost of Brahms stalks a house and plays the piano late at night. Adès...