Václav Nelhýbel

A method compiled and edited by Erich Katz, Dean of the American Recorder movement and the man responsible for the enormous recorder renaissance in the U. S. A. that started in the late 20th century a...

Espressivo ist in seinem Stil und Klang fast romantisch. Dieses originelle Werk in g-Moll, das in der Form AABAA' geschrieben ist, ist technisch recht gut spielbar und stellt nur durch seine leichte C...

Basierend auf einem alten englischen Lied.

Diese Blechbläserfassung der Hymne DER HERR IST KÖNIG kann als Ergänzung zur Chor- und Orgelfassung der Hymne oder anstelle der Orgel verwendet werden; sie kann auch von den Blechbläsern allein, ohne...

This release celebrates the 30th anniversary of the first performance of this work by the conductor and band to whom it is dedicated: Dr. William Revelli and the University of Michigan Symphonic Band....

This release celebrates the 30th anniversary of the first performance of this work by the conductor and band to whom it is dedicated: Dr. William Revelli and the University of Michigan Symphonic Band....

This release celebrates the 30th anniversary of the first performance of this work by the conductor and band to whom it is dedicated: Dr. William Revelli and the University of Michigan Symphonic Band....

BALLAD is a set of Variations on an archaic chorale-like theme. In the five variations, all instruments of the band are used in such a way as to help evoke a great variety of contrasting moods. Includ...

Based on When Johnny Comes Marching Home; Glory, Glory Hallelujah; and America.

PROCESSIONAL is a composition in which the Percussion, Brass and Woodwinds function like protagonists in a drama, making their statements, building tension, clashing in a climactic conflict, and endin...

PARADE is a composition in which the Winds "march" in different formation accompanied by a "Drum Corps." They start softly in a distance and proceed steadily in their march, ending in an all-out forti...

... a clever concert closer spotlighting the percussion section. (The Instrumentalist, November 1979)