Bob Chilcott Noten für Gesang

Scored for low voice and piano or organ, this is a moving, traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text, and...

A cantata for SS and piano, setting eight witty poems about the scientific elements by Roger McGough. The songs are easy, fast-paced, and accessible, in a colourful variety of musical styles that rang...

Scored for high voice and piano or organ, this is a charming setting of the well-known Psalm in Chilcott's signature style. The melodies flow gently in three, exuding calmness and expression, underpin...

Four songs for SS and piano on the theme of cities, written with younger voices in mind. Styles range from the streetwise and upbeat to a more reflective lyricism.

Arranged here for solo low voice and piano or organ, this heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment....

Scored for low voice and piano or organ, this is a charming setting of the well-known Psalm in Chilcott's signature style. The melodies flow gently in three, exuding calmness and expression, underpinn...

Arranged here for solo high voice and piano or organ, this heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment....

Scored for high voice and piano or organ, this is a moving, traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text, an...

Scored for high voice and piano or organ, this setting of a Jewish text is simple but uplifting, and well-supported by a flowing keyboard accompaniment. Also available in a version for solo low voice.

An easy and original setting, with an extremely memorable tune, of the well-known Rossetti text, here arranged for solo voice and piano. Vocal range: Eb4-G5.

Reginal Wright's emotional and uplifting Crossroad sets Robert Frost's well-known poem 'The road not taken'. A twinkling piano accompaniment supports the voices, and the optional violin duet floats ab...

One of Chilcott's best-loved carols is here arranged for solo voice and piano. The text, a beautiful poem by Clive Sansom narrating the experience of the shepherds drawn by starlight to the baby Jesus...

Scored for low voice and piano or organ, this setting of a Jewish text is simple but uplifting, and well-supported by a flowing keyboard accompaniment. Also available in a version for solo high voice.

In this compelling motet for the Feast of the Holy Trinity, Handl artfully embodies symbolism of the Trinity within the motet's structure.

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment.

An easy and original setting with an extremely memorable tune of the well-known Rossetti text. Also available in versions for solo high voice, upper voices, and mixed voices.

This follows the order of the liturgy at St. Paul's, West Street, Brighton. Congregational participation (in Hymns, prayers, the Creed and Angelus) has been omitted.

Four songs for SS and piano on the theme of cities, written with younger voices in mind. Styles range from the streetwise and upbeat to a more reflective lyricism.

In the manner of a French chanson, this is a charming lullaby on a text by Victor Hugo. A sweet, simple melody is underpinned by a delicate fluid accompaniment and rich harmonic shading, to create a p...

This classic carol commences with a gorgeous brass fanfare. Orchestral and brass arrangements are available on hire.

An arrangement of the expressive 'Sweet was the song', a movement from the large-scale work 'On Christmas Night', for solo voice and keyboard. An optional second voice may join with a counter-melody (...