David Bednall Noten für gemischten Chor

Rejoice in the Lord ist eine schnelle, festliche und freudige Vertonung von Psalm 33. Nach einem überschwänglichen Beginn führt eine lebhafte Orgelpassage zu einem schönen Moment der Stille im unbegle...

Diese Sammlung aus drei Chorliedern vertont Texte von Dichtern zu Zeiten des Ersten Weltkrieges und wurde 2014 von dem Chor Sospiri in Erinnerung an den Beginn des Krieges in Auftrag gegeben. Alle Lie...

Die Three Songs of Love wurden von den Exultate Singers in Auftrag gegeben und erstmals am 14. Februar 2015 in der Kirche St George in Bristol aufgeführt.Die drei Texte (Clare, Yeats und McCrae) reprä...

Ursprünglich als Teil von David Bednalls Three Songs of Love veröffentlicht, erscheint dieses kurze Stück mit einer Vertonung von W. B. Yeats' Gedicht The Cloths of Heaven nun auch in einer Einzelausg...

Everyone Sang wurde anlässlich eines Hochzeitssegens in der Wells Cathedral am 26. Mai 2007 komponiert. Der Chor, der sich zu dieser Veranstaltung zusammengefunden hatte, wies gleich eine ganze Reihe...

This congregational mass setting is short and accessible, with a congregational part that may be intuitively learnt. The congregational part, which may be photocopied, is available at the back of the...

This atmospheric piece sets a text by Christina Rossetti. The first stanza is for sopranos only, with expressive chromatic lines evoking the 'darkness' and 'chillness' of the text. The music flowers i...

In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services, the anthem is appropriately serene and luminisc...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when p...

A group of three miniatures for unaccompanied mixed voices, Some corner of a foreign field sets poems by three First World War soldiers: John William Streets, Goldfeld, and Rupert Brooke. Bednall's se...

This exquisite miniature combines old and new, with plainchant-like melodies and tonality set against expressively dissonant contemporary harmonies. It was recorded by The Epiphoni Consort on David Be...

This gentle, lilting anthem sets verses from the psalms that speak of devotion to and delight in the Lord. Bednall's sophisticated and appealing musical language gives colour and expression to the tex...

Aspire to God, my soul sets a macaronic text by Canon John Dilnot. This anthem is optimistic and uplifting, with frequently changing time-signatures that convey a rhythmic fluidity and the flexibility...

This tender setting is a partner antiphon to Bednall's Ave Regina caelorum. In turn, this pair compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). Triplet move...

This high-energy, majestic setting of well-known words from the psalms is a welcome addition to the service repertory. The changing metre brings the text to the fore, and the semiquaver movement that...

The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting, this piece will pro...

The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting, this piece will pro...

In this bittersweet pastoral setting Bednall's flowing melody lines are paired with the tender words of the contemplative First World War poet, Siegfried Sasson. The 5/4 metre lends a wistful whimsica...

In this bittersweet pastoral setting Bednall's flowing melody lines are paired with the tender words of the contemplative First World War poet, Siegfried Sasson. The 5/4 metre lends a wistful whimsica...

In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services, the anthem is appropriately serene and luminesc...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when p...

Aspire to God, my soul sets a macaronic text by Canon John Dilnot. This anthem is optimistic and uplifting, with frequently changing time-signatures that convey a rhythmic fluidity and the flexibility...