Howard Skempton Klaviernoten

Featuring sparse textures, quirky endings, and intuitive phrasing, these 24 Preludes and Fugues, in all the keys, bear the hallmarks of Skempton's Minimalist style. This set is well-suited for perform...

Fifty-five short pieces, the earliest of which dates from 1967, the most recent from 1993. Taken as a whole, this selection of pieces (chosen by the composer) provides a rich overview of the keyboard...

This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic, at others direct, the writing captures and reflects a myriad of moods, revealing Skempton's highly original voice....

Featuring sparse textures, quirky endings, and intuitive phrasing, these 24 Preludes and Fugues, in all the keys, bear the hallmarks of Skempton's Minimalist style. This set is well-suited for perform...

Beautifully crafted, this short work for 4 hands conjures up precisely the imagery the title suggests. Calm, lilting, melodic, but requiring technical skill, it is a welcome addition to the piano duet...

Featured on pianist William Howard's album Sixteen Contemporary Love Songs, this evocative miniature is simple but rewarding, with a repeating eight-bar chord progression that produces a kaleidoscopic...

Sotto Voce consists of an intriguing interplay of isolated notes for the three instruments, with a good deal of pizzicato in the strings.

This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic, at others direct, the writing captures and reflects a myriad of moods, revealing Skempton's highly original voice....

This quiet and spacious miniature challenges the performer's ability to play within the lowest dynamic range of the piano. The gently sonorous opening bars return after a lightly animated central sect...

Commissioned by the Atopos Fondazione in Italy, this piece was premiered by John Tilbury on 10 June 2008. A homage to Morton Feldman and a companion piece to his Triadic Memories, Skempton's Notti ste...

This short meditative work for piano is composed in Skempton's typical minimalist style. The piece has been recorded by its dedicatee, William Howard, and is included on an album entitled Sixteen Noct...