Richard Dering Noten für gemischten Chor

Continuing the Society's series of Dering motets, this setting of 'Ave Maria' from the 1617 'Cantiones Sacra' is mainly homophonic, with a few imitative phrases. It displays Dering's love of the augme...

Perhaps Dering's most well-known work, this concludes the Society's series of Dering motets. The SSATTB disposition allows for plenty of antiphonal effects and rich textures. The work builds to a clim...

This is a setting of the opening verses of the hymn attributed to Saint Bernard of Clairvaux which is used at Vespers on the Feast of the Holy Name of Jesus. It is typical of Dering's writing with mar...

These editions, taken from the acclaimed Tudor Anthems anthology, represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of diffi...

The Italian 'madrigal' style of this music, unusual for English composers, arose from the special circumstances of Roman Catholic composers who chose to work on the continent. Dering himself was organ...

Motet for SATBB Choir edited by Richard Lyne. No. 18 from Cantiones Sacrae, 1617.

Gemischter Chor - SSATB Renaissance/Barock

For SSATTB and organ. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the C...

The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the Church's wonderful musi...

The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the Church's wonderful musi...