Sammy Cahn Big Band Noten

Written for Frank Sinatra (and the title track of his 1958 album), this tune epitomizes the cool sounds of the swing era. Here's a smartly scored version for beginning bands, written with modest range...

Most notably recorded by Frank Sinatra, here is this familiar standard arranged effectively for younger bands. The style is an effortless-sounding medium swing, and this chart makes it enjoyable for l...

Dieses Lied war ein großer Hit für Dean Martin, und dieselbe Version wurde vor kurzem von Robbie Williams auf seinem Album "Swing When You're Winning" gecovert. Wir haben die Originaltabelle hier tran...

Big Band Vocal. The title number from the MICHAEL BUBLE album, also featured on the classic Sinatra at the Sands with Count Basie. Key Bb. Vocal range: Bb - D Trumpet range: C

The swingin' Quincy Jones arrangement of this standard has become one of Frank Sinatra's signature tunes. Here's the authentic version edited and adapted for today's bands by Mike Tomaro.

Dieser oft gespielte Standard aus den 40er Jahren zeichnet sich durch eine unverwechselbare Melodie und Jazz-basierte Harmonien aus. Michaels gekonnt gestaltetes Arrangement arbeitet mit einigen Tonar...

Rick Stitzel hat den beliebten Sinatra-Song im komfortablen Medium Swing und leichten Rhythmen für kleine Big Bands bearbeitet. Ein schöner Titel für das ganze Ensemble und das ganz ohne Soli!

Here is a rare gem of a tune that will be recognized immediately by your audience and players alike. In a great swing chart for young bands by Roger Holmes, this catchy melody just makes you feel good...

Haunting yet beautiful describes Michael's unique setting of this marvelous standard. Written in a moderately slow bolero style, this outstanding change of pace number features an alto sax soloist and...

In einem leicht fließenden Bossa-Stil arrangiert, ist dies eine wirkungsvolle Version dieses Jazz-Standards von Jazz-Meister Benny Carter und Sammy Cahn. Neben einer soliden und kreativen Besetzung fü...

Written for Frank Sinatra (and the title track of his 1958 album), this tune epitomizes the cool sounds of the swing era. Here's a smartly scored version for beginning bands, written with modest range...

Rick Stitzel hat den beliebten Sinatra-Song im komfortablen Medium Swing und leichten Rhythmen für kleine Big Bands bearbeitet. Ein schöner Titel für das ganze Ensemble und das ganz ohne Soli!

Rick Stitzel hat den beliebten Sinatra-Song im komfortablen Medium Swing und leichten Rhythmen für kleine Big Bands bearbeitet. Ein schöner Titel für das ganze Ensemble und das ganz ohne Soli!

Haunting yet beautiful describes Michael's unique setting of this marvelous standard. Written in a moderately slow bolero style, this outstanding change of pace number features an alto sax soloist and...

In einem leicht fließenden Bossa-Stil arrangiert, ist dies eine wirkungsvolle Version dieses Jazz-Standards von Jazz-Meister Benny Carter und Sammy Cahn. Neben einer soliden und kreativen Besetzung fü...

Haunting yet beautiful describes Michael's unique setting of this marvelous standard. Written in a moderately slow bolero style, this outstanding change of pace number features an alto sax soloist and...

In einem leicht fließenden Bossa-Stil arrangiert, ist dies eine wirkungsvolle Version dieses Jazz-Standards von Jazz-Meister Benny Carter und Sammy Cahn. Neben einer soliden und kreativen Besetzung fü...

John Clayton's fierce, swinging arrangement of this familiar standard is written as a solo vehicle for tenor sax. Marvelously crafted in a kind of call and response form between tenor and band.

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

Arranged here in a brisk uptempo swing style, much of the first chorus is unison for all the horns. After a solo section featuring alto sax then trumpet, a brief drum break sets up a high-energy final...

As recorded by the Count Basie Orchestra on the album 'Frankly Basie; Count Basie Plays the Hits of Frank Sinatra,' this is a classic arrangement by Billy Byers. Byers, much like Quincy Jones, provide...