Noten für Big Bands

This up tempo Jazz composition contains plenty of ensemble intertwined with the solos and space for your drummer to shine. Written in the tradition of the Basie band, this chart will work as a great O...

This chart features the sound of a New Orleans funeral marching band historically known as the 'Second Line' which follows behind the family and casket. It's a time for celebration coming after the in...

Medium tempo Blues in F that really drives. Very player friendly with written solos a solid Shout Chorus and an ending drum solo.

This driving Rock/ Funk/ Ballad/ Blues is Thad's' tour de force which captures the essence of life in a part of New York City in the 1970's. Carefully re-scored to be playable by high school and devel...

The second and more difficult of the two 'Sassy's'. This one mirrors Thad's original in form and style. Slightly richer voicings than SCM-001 but not an overly high lead trumpet part.

This happy Shuffle/Swing is the least difficult in the series. Solos are played over F7 & Eb7 so almost anyone can try improvising on this one. It's simple, but it Swings! 8 brass, 5 saxes, 4 rhythm,...

Re-scored a fourth lower to F containing all of the skillfully penned structure written for the Count Basie band by Frank Foster in the early 60's.

A wonderful Gospel/Rock composition a perfect 4th below Thad's, making it accessible to younger players.

Constructed to highlight the tenor sax solo, Thad has once again created a masterpiece from the time honored blues in F major.

Funk style blues in C concert. Written in a 'Thaddian' style, this original tune features creative ensemble writing and sounds more difficult than it is to play. Funky groove.

A real crowd pleaser at an easy level

This tune is based on the changes to 'I'm Getting Sentimental Over You' but at a medium swing tempo.

Has the feel of L'il Darlin' but quite different melodically and harmonically. Easy to play and very smooth.

A real Thad Classic made accessible by Mike Carubia. Higher brass notes removed, sax soli re-scored & it still sounds like Thad.

Written in the style of Sammy Nestico and the Count Basie Orchestra this composition captures the feel and excitement of the Basie band with limited brass ranges at a Grade 3 Level. Beginning and end...

Commissioned by Jim Dragovitch, director of the GW Hewlett HS Jazz Ens., this 16 bar tune features a unison melody carried by the trombones & tenors and plenty of Full Ens with short stop time before...