Noten für Big Bands

Arranged in a medium swing Basie style, this sultry chart is a terrific feature for a trumpet soloist. There are plenty of tasty ensemble accompaniment figures along the way, and the solo part is comp...

What better way to introduce the music of Duke Ellington to your young jazzers than with this wonderfully scored arrangement by Michael Sweeney? Even at this easy level, this chart really swings and w...

Written in a medium swing style with an instantly appealing melody and solid ensemble scoring, this arrangement will make beginning bands sound great with limited rehearsal time. Great tune in a fun s...

Grades 3-4. (Holmes)

Have a jazz vocal group or quartet? Here is a stunning chart arranged by Darmon Meader, the musical director and chief arranger of the jazz vocal group, New York Voices. I Could Write a Book is scored...

Look out, old Mackie is back! This fabulous vocal chart modulates four times, up a half-step each time and has a written-out tenor solo and a big shout chorus. Arranged in two keys, the high key begin...

An easy-to-play swing chart with no solos, lots of full ensemble, a shout chorus and it's all very easy to rehearse and perform. The vocal range is from G below the staff to second line G, treble clef...

This swinger will be a hit! Arranged in two keys for flexibility by arranger Dave Wolpe, it's a bright swing vehicle for vocalist and big band at around 160 BPM. The low key is F with vocal range from...

A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as ''Rhythm' changes.' I GOT RHYTHM is the 'real Mc...

RECORDED BY THE COUNT BASIE ORCHESTRA ARRANGED BY NEAL HEFTI Here is Neal Hefti's famous arrangement from the Count Basie Orchestra's album Atomic Basie from 1957. This has been engraved from the orig...

Another hit from the Basie Straight Ahead album is this driving swinger in F minor. This chart gives the band a great chance to really play soft and make a huge build over an entire phrase to a fortis...

Hier ist Flying Home, transkribiert von Alan Glasscock nach dem Originalarrangement von Steve Steck, das für die Glenn Miller USAAF Band geschrieben wurde. Das Stück ist mit schwungvollen 165 b.p.m. g...

A Robbie Williams School Band Chart, based on the Bobby Darin version, but scored for 2 Flutes, 2 Bb Clarinets, 3 Alto Saxes, Tenor and Bari Saxes, 4 Trumpets, optional Trombone and 4 rhythm.

Set as a bright swing, and originally arranged for the WDR Big Band (Germany), Richard DeRosa's arrangement of the traditional Christmas carol 'Angels We Have Heard On High' is an adventure from begin...

Belwin Jazz präsentiert April in Paris, ein Stück aus der Jazzband-Reihe der Stufe 3, das für High School- und fortgeschrittene Junior High School-Bands gedacht ist. Die Instrumentierung umfasst 5 Sax...

Diese Transkription von Billy Mays Originalarrangement stammt aus Ellas "Harold Arlen Songbook"-Album und ist ein knurriger Swing-Chart, der Punch und Up-Tempo-Power mit gefühlvollen Gospel-Einlagen v...

Die wohl berühmteste Nummer des Benny Goodman Orchestra haben wir originalgetreu nachgespielt, in der Originaltonart und mit allen Original-Licks. Das einzige Zugeständnis, das wir gemacht haben, ist...

Besetzung: Solo-Karinette / 5 Saxophone / 4 Trompeten 4 Posaunen / Rhythmusgruppe

The powerful concert number transcribed by Cy Payne from Michael Bublé's album. Keys as recording. Same as POW4227 but with full strings instead of synthesizer. Key: Dm-Ebm Vocal range: Bb-G Trumpet r...

The powerful concert number transcribed by Cy Payne from Michael Bublé's album. Keys as recording. Strings on synth. Key: Dm-Ebm Vocal range: Bb-G Trumpet range: Bb + optional high F

Komponiert von dem mit einem Grammy ausgezeichneten Komponisten/Produzenten Quincy Jones, ist dies eine gefühlvolle Ballade für Tenor- oder Sopransaxophon, die die Herzen der Interpreten und des Publi...

Warner Bros. Publications is proud to present this important series, Jazz at Lincoln Center Library. Each selection was selected by the Center's musical director, Wynton Marsalis. Each transcription i...

As arranged for and performed by the Stan Kenton Orchestra, this is a wonderful setting that features the saxophone section and solos for trumpet and trombone. Very reasonable brass ranges make this a...

Hier ist Glenn Millers Version des Johnson Rag, transkribiert von der Original-Tabelle von Bill Finegan mit allen Soli (beide Tenöre, Posaune 1 und Trompete 2) ausgeschrieben. Dieses Stück weist viele...

Corner Pocket wurde vom unbesungenen Helden der Count Basie Band, Freddie Green, geschrieben, und der Titel bezieht sich auf den Ort, den Green sein Eigen nannte - die Corner Pocket der Rhythmusgruppe...