Big Band Noten für Anfänger

Style: BOSSA NOVA Ranges: G5 trumpet, F4 trombone Solos: written or ad lib for all Rhythm Section: notated Instrumentation: 1217 players, plus 5 opt. Parts

A solid rhythmic groove and a lyrical melody combine to form the foundation of this driving Latin chart. Rich ensemble voicings and an open solo section over easy changes make it a perfect vehicle for...

Standard jazz ensemble (playable by 12-17 players) with opt. flute, clarinet, F horn & vibes Is your band ready for the Whole Enchilada? From the opening notes to the final chord, this infectious lati...

Here's a suave Latin tune designed to feature your tenor sax and trombone soloists. A memorable melody is supported by sophisticated, yet accessible harmonic motives throughout. Authentic Latin device...

Try this bright Latin chart for developing groups featuring solos for piano, and the 'two cats' alluded to in the title - namely alto saxophone and trumpet. Even if you use the minimum instrumentation...

Kendor continues its tradition of publishing accessible jazz charts that have integrity and style with this selection for developing groups set in a bright Latin feel. The introduction played by piano...

We welcome California jazz educator Mike Dana to the Kendor family of writers with this spirited Latin original for developing groups. Containing reasonable ranges and rhythmic figures, plus an exciti...

A medium bossa, nova, Tiara is another great introduction to Latin styles for young bands. This selection will make the jazz band sound sophisticated beyond their years.

Hier ist eine weitere sehr geradlinige Latin (Cha Cha) Version von Baubles, Bangles & Beads, wie sie von Tito Puente und seinem Orchester gespielt wurde. Es ist ein Ensemble-Chart von Anfang bis Ende,...

Por Una Cabeza ist der berühmte argentinische Tango aus dem Film 'Der Duft der Frau'. Unser Arrangement ist sehr einfach zu spielen, mit niedrigen Bläsersätzen, aber dennoch ein großartiger Tango. Die...

Unser Chart von Desafinado ist als sanfter Bossa geschrieben, in dem Ihre beiden Tenorsaxophone mitspielen. Die Saxophon-Sololinien sind ausgeschrieben, so dass keine Improvisation erforderlich ist. D...

Wheels" ist ein netter kleiner Cha-Cha aus den frühen 1960er Jahren. Joe Loss und sein Orchester hatten mit ihrer Version des Stücks einen kleinen Erfolg in den Charts. Unser Chart ist zwar keine Tran...

An exciting full band arrangement of this Latin Rock classic. Suitable for student bands with trombones cued onto saxes. Written out piano, tenor and optional alternative flute/trombone/guitar solos w...

BIG BAND GIRL VOCAL. The 1960's hit number as recorded by Dusty Springfield, in the original steady beat Latin style. A tenor sax solo is included as an alternative to the vocal.

This bossa Nova/Swing is easy to play and sounds great.

Simple Latin based tune written in mostly unision, octaves, counterpoint and block harmonies. Written solos for tenor and trumpet.

A Latin tune based on different uses of the Phrygian Mode, it has 3 easy harmonic sections. Can be played with 6 horns & rhythm.

Lovely bossa nova featuring unison flute melody and flute solo. Originally recorded by the Bill Watrous Big Band on his album 'The Tiger of San Pedro'.

This is a beautiful medium tempo (mm=132) bossa that works great for young bands. The melody is played first by alto/tenor/trumpet/bone (with optional guitar or vibes.) The soloist (any of the above)...

Hip Salsa-style Rumba featuring Alto sax. Lead Trumpet goes up to Bb. 1/4 note = 130.5,4,4,G,P,B,D. Running Time 5:15.

Tango,well orchestrated.Nonet arrangement for traditional ballroom dancing. EZ ranges for all horns. Chart is from Dirk's casual gig library.

Manhattan wurde 1957 von Ella Fitzgerald für das Verve-Album "Ella Fitzgerald Sings the Rodgers & Hart Songbook" aufgenommen. Das Original-Arrangement von Buddy Bregman war für Streicher, Orchester-Ho...

Aufgenommen von Helen Forrest mit der Artie Shaw Band, ist dies eine akkurate Transkription des Original-Konzepts von Jerry Gray, komplett mit dem Klavier-Intro und Shaws seidigem ersten Refrain-Solo....