Big Band Noten für Fortgeschrittene

Durchzogen von Rock-Fusion-Einflüssen ist dieses smarte Jamie Roth-Werk zeitgemäß und cool. Ein Synthesizer-Solo gibt den Ton für das helle, rockige Tempo an. Gedämpfte Trompeten und Saxophone bauen d...

Durchzogen von Rock-Fusion-Einflüssen ist dieses smarte Jamie Roth-Werk zeitgemäß und cool. Ein Synthesizer-Solo gibt den Ton für das helle, rockige Tempo an. Gedämpfte Trompeten und Saxophone bauen d...

Ranges: D6 trumpet, A4 tromone. Solos: tenor, trombone, drums. Rhythm section parts partially notated with chords cued. Standard instrumentation, S(A)ATTB saxes.

Recorded on the Buddy Rich album "A Different Drummer" as Part 2 of "A Piece Of The Road Suite," this rock outing with repeating rhythmic figures keeps everyone on their toes. It opens with an unaccom...

As recorded by the Thad Jones-Mel Lewis Orchestra on their album New Life, a slow rubato intro sets up the irresistible funky rock groove that makes this an enduring favorite with better bands. Tenor,...

This 5/4 blues-rock composition recorded on Thad's 'Consummation' album in 1970 will give your students a chance to experience performing in 5/4 meter. Lots of unison gives your students a powerful so...

This 5/4 blues-rock composition recorded on Thad's 'Consummation' album in 1970 will give your students a chance to experience performing in 5/4 meter. Lots of unison gives your students a powerful so...

Bob Curnow has a way of picking out the Metheny tunes that work so well in a big band setting. This chart is based on a bright, happy tune of Pat's. The medium tempo and contemporary feel make this a...

Kid A' is the title track on Radiohead's 2000 album. Steve Owen's inventive big band arrangement is scored in 3/4 (unlike Radiohead's duple meter) with an ethereal introduction and ending separated by...

Idioteque' was recorded on Radiohead's 2000 CD Kid A, and Patty Darling's chart is a model for arranging contemporary pop/rock music for big band. It's rare to find such an artful and creative score t...

Radiohead recorded 'All I Need' on their album In Rainbows in 2007. Arranger, Sherisse Rogers, conformed to the groove, melody, and bass line of the original, focusing her treatment upon reharmonizati...

Extensions is a funky, hip-hop fusion chart with nice mood changes throughout. This chart generates a lot of excitement without a lot of high blowing (written B in the trumpet part). This piece has an...

Eighteen is a flat-out, rock n' roll chart based on a tune from one of Pat Metheny's earlier albums, 'Offramp.' This chart has a hypnotic, powerful, energetic bass line. It is a soprano saxophone feat...

The music of Steely Dan has come to Sierra Music! Originally arranged for the HR Big Band (Germany), the late, great Fred Sturm has given us another rock chart worthy of any band's library. In typical...

The music of Steely Dan has come to Sierra Music! The late, great Fred Sturm originally arranged this for the HR Big Band (Germany), and Sierra is thrilled to add it to its catalog. Set as a slow rock...

The title says it all! Your band and your audience will have a good time with this chart by Les! It is a Latin-rock setting of a very hiptune. Lots of counterpoint and excitement. Space for tenor sax...

One of the most dynamic hits from Earth, Wind & Fire, here is a great sounding arrangement creatively scored in a small group setting. Tenor and trombone are featured on the melody along with a funky...

Originally recorded by Otis Redding in 1968, this hard-driving R&B classic has become a mainstay of pop culture covered by a wide range of artists including The Black Crowes, King Floyd, and The Grate...

Diese treibende Samba-/Funk-Version dieses Hits von George Duke ist ein Rückgriff auf den jazzbeeinflussten R&B-Stil der späten 1970er Jahre. Mit einem Posaunen- und Tenorsaxophon-Paar an der Spitze b...

Für seine kreative Version des Loius-Armstrong-Hits für kleines Jazzensemble mit sechs Bläsern und Rhythmusgruppe wählte Michael Mossman einen moderaten Cha-Cha-Stil, der eine erstaunliche Bandbreite...

The music of Motown continues to stand the test of time with catchy melodies and well-constructed songs. Here's a well-crafted and entertaining production number that features Dancing in the Street, I...

Coming Home ist eine veritable Pop-Ballade, die dem Solisten genügend Freiraum lässt, sich zu entfalten. Freude und Herausforderung zugleich - nicht nur für den Lead-Saxofonisten!