Big Band Noten für Profis

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

An off-beat groovy modern/contemporary 4/4 composition featuring a duo-solo between trumpet 2 (on flugel horn) and alto 1. The piece also has a piano solo and an interesting development section. The p...

A wonderful straight 1/8th note contemporary composition which starts with an unaccompanied sax soli, employs a few very interesting metric modulations ( i.e. tempo changes), alternates between 3/4 an...

A 'very intense' medium-up tempo piece with a straight-eighth feel. This chart has a driving rhythm requiring a strong drummer. A small horn grouping (tpt/alto/bari/tbn) presents the theme atop variou...

Contemporary modal piece with a Herbie Hancock flavor. A few meter changes (6/4 and 5/4) will keep you honest, although most of the piece is in four. Flugel/guitar or vibraphone play the head. Soprano...

Style: Fusion. Instrumentation: 5 Saxes: 1 Soprano sax and Flute, 2 Alto Sax and Flute, 3 Tenor and Soprano sax, 4 Tenor and Flute, 5 Bari (no doubles). 5 trumpets (5th on Flugelhorn). 5 Trombones,Gui...

Modern post-bop style composition based on the progression of I Got Rhythm. The bop styled melody is a great workout for the saxophone section and is followed by an open solo section. A unison soli se...

This is a modern ECM-style composition that features baritone saxophone and trumpet in a moody and pensive setting. A tuneful melody comprised of wide intervals sets the stage for your trumpeter and b...

An interesting group of rhythmic fragments played by the ensemble come together to form a dynamic piece for small band. The groove is a medium-up 'even eighth' feel...almost 'Weather Report' in nature...

Up-tempo straight ahead jazz chart utilizing modal A sections with changes for the bridge. Solo space for alto sax and piano or guitar. Scored for Alto, Tenor, Bari, 2 Trumpets. 1 Bone, Piano, Bass, D...

Das ist Woody Herman pur und eine Transkription des Original-Charts von Nat Pierce. Der Jazz Me Blues ist eine alte Dixieland-Melodie aus den 1920er Jahren, und dieses Arrangement hebt sie in eine völ...

Darktown Strutters Ball ist dem Trad-Jazz-Publikum wohlbekannt, aber es ist eine kleine Seltenheit, dass es ein Chart für Big Band gibt. Diese Version ist eine Transkription des Ken Moule-Charts, das...

Dieses Arrangement wurde von Ben Homer für das Les Brown Orchestra geschrieben und ist ein skurriles und unterhaltsames Stück, das sich gut spielen lässt. Alles entspricht der Originalaufnahme - das D...