Big Band Noten für Profis

A contemporary piece in three sections: 1. Gumbo Down Bourbon Street. Hot shuffle blues featuring tenor saxophone. 2. Sunday on the Bayou. Quiet reflective ballad featuring trombone. 3. Big and Easy D...

Here is the piece in its entirety, the full three movement work. The first movement is a jazz waltz with a 'cool' period flavor. The second is a modal blues with some dark timbres and open for any sol...

Straight ahead four. Solos for: Bass, Trpt, Alto & short Drum solo. Sax dbls. Recorded by Rob McConnell & the Boss Brass on 'The Brass Is Back' and Charles Rutherfords Jazz Pacific Orch on ONote Walke...

Up tempo flute feature. Recorded by Charles Rutherford's Jazz Pacific Orch ONote WalkerO on Sea Breeze Jazz.

No description neede. As recorded by the Buddy Rich Orchestra, Buddy Rich Big Band 'Burning for Buddy Vol 2'.

If you like shuffles, this chart is for you. There is blowing space for Tenor & Trpt & also an interesting a cappella chorus.

The sequel to 'Mr. Beautiful Walks His Pet Pig' is finally here. This shuffle romps from start to finish & provides your band w/a challenge w/o being overwhelmed. The solo space features Tenor, a/is f...

It's three-three-three charts in one! This extended suite (performance time approximately 11 minutes)of three sections which are related by melodic and harmonic material. Shade (part 1) is an up shuff...

If you're looking for some Salsa to spice up your library you should check this chart out. It opens with a recurring sax pad underpinned by an interesting bass/bari sax/piano line which leads into a b...

If you have a rhythm section & soloist capable of playing rhythm changes at an up-tempo [300+] you will want to include this in your next concert. The horn parts are very easy, & not too high for bras...

Beautiful ballad setting for an original based upon the chord changes to 'Round Midnight'. This is a feature throughout for the soloist of your choice.

Arranged for saxophonist/composer Peter Epstein's appearance at the 2004 Central Coast Jazz Festival, this modal alto feature takes some unexpected turns in the middle and sets up a natural sounding g...

Commissioned by the Monterey Jazz Festival for the 2007 Next Generation Jazz Festival, this chart falls in that small space between Ornette Coleman and Radiohead, with a bevy of odd-metered phrases, s...

Arranged for the Jonathan Kreisberg Trio's appearance with the Virginia Tech Jazz Ensemble in 2008, this chart is a great feature for your rhythm section, with extended solo space for guitar (or alto/...

Kneebody meets big band. There is simply no adequate way to describe this chart and do it any sort of justice, so you're probably better off just listening to the recording online. If you've ever wond...

A lush ballad featuring the trombone section and lead bone solo. Very pretty changes and large ensemble ending. 5 reeds, 4 trpts, 4 tbns, 3-4 rhythm. Trumpets double on flug.

Features trumpet-tenor. Ensemble backgrounds and out chorus compliment soloists. No doubles.

An ethereal sounding composition that employs cluster voicing in the reeds and close voicing in brass. There is a Tenor solo, part written, part improvised, with a building brass background leading to...

Third Bass is a medium calypso (think St. Thomas) that features the 'low' instruments on the head (Bari, TB 4 and Bass), a blues tune in thirds. An ensemble unison/octave soli sets up the solos for an...

Blues For... is a medium shuffle blues in G that features an opening bass solo with a subsequent alto sax solo, sax soli and syncopated ensemble shout chorus that solidifies the groove. 5-4-4-4 (Lead...

Even 8ths contemporary chart in 11/4 (6/6 + 5/4) in the style of the Dave Holland's Bid Band, with solo sections for piano and fluegel horn in 7/4 & 4/4 broken ECM. El Nino is a very challenging and e...

Written for Saxophonist Bob Efford. Med. groove in minor key featuring tenor sax complete with sax soli with tenor lead.

Funk tune receives widespread airplay on jazz stations around the world. Tenor & trumpet solos.Recorded by Pat Longo on'Extreme Heat'.

This haunting ballad is short and simple. A pensive piano intro unfolds into a melody that blends different colors as it grows into lush orchestration, florid counterpoint and ends with a flugelhorn a...