Big Band Noten für Profis

Radiohead performed '15 Step' in 5/4 on the 2007 CD In Rainbows, and arranger Matt Harris has transformed the original meter into a series of infectious grooves in 11, 3, 5, and 7. The piano, tenor, a...

Arranger Dan Gailey said that 'Knives Out,' recorded on Radiohead's 2001 CD Amnesiac, 'had me hooked the first time I heard it based solely on its beautiful melody.' Organically varied phrase lengths,...

Released in 1995 on Radiohead's second album The Bends, 'High and Dry' remains one of the band's most popular hits. Bob Washut's artful and passionate big band arrangement incorporates a mesmerizing 7...

Omar Thomas has written a stunning, contemporary piece reminiscent of the style of the Pat Metheny Group. It has a straight-eighths feel with solos for piano and trombone. This chart requires soprano...

Another amazing, exciting chart has been added to the Pat Metheny Series! Bob Curnow's arrangement of Metheny/Mays' composition 'Stranger In Town' hits you in the face right from the start and ends in...

Exactly as recorded on the CD 'Stan Kenton Plays Chicago,' this chart is a great feature for alto saxophone set in a big band fusion style. Every reed player plays flute in the intro, and the chart ju...

Bias Boshell - Keyboarder der Kiki Dee Band - schrieb den Song 'I've Got The Music in Me', der seither von etlichen Künstlern interpretiert wurde. Darunter neben den Aretha Franklin und Celine Dion au...

John Clayton penned this gorgeous ballad treatment for the great Joe Williams. With exquisite reharmonizations and carefully crafted accompaniment figures, the mood starts out mellow then arcs beautif...

A high energy Latin pop groove, this one moves along at a pretty good clip - around 240 BPM. It features a soprano sax lead instead of alto 1 and solo space for all saxes, trumpet 4, and trombones 1 a...

A high energy Latin pop groove, this one moves along at a pretty good clip - around 240 BPM. It features a soprano sax lead instead of alto 1 and solo space for all saxes, trumpet 4, and trombones 1 a...

Commissioned by the US Army Jazz Ambassadors, this arrangement by Eric Richards shines new light on the beauty and depth of the classic Beatles hit. An up-tempo Brazilian groove gives way to hints of...

This chart was commissioned for the Fred Sturm Jazz Celebration Weekend and is one of Patty's best charts yet. Patty Darling's writing career has skyrocketed because of her ability to write relevant,...

The powerful concert number transcribed by Cy Payne from Michael Bublé's album 'Caught In The Act'. Keys as recording. Same as POW4229 but with full strings instead of synthesizer. Trombone range: 1st...

The Van Morrison composition featured by Michael Bublé in his album of the same name, carefully transcribed by Cy Payne, in the same key as recorded. The featured Guitar solo is fully written out, plu...

The Michael Bublé version on the DVD 'Caught In The Act' features mainly strings and the rhythm section. Cy Payne has carefully adapted the arrangement for the usual big band line up, plus optional sy...

The relaxed ballad from Michael Bublé's album 'Call Me Irresponsible' written by Leonard Cohen transcribed and adapted by Cy Payne. Key and modulation as recording. Key: Db-D Vocal range: A-F Trumpet...

The Michael Bublé version from his album 'Michael Bublé' gives this Jerome Kern classic number a relaxed latin feel, with just Acoustic guitar, strings and Rhythm sction. Cy Payne has recreated the ch...

This is the original, quintessential arrangement by the great Dee Barton as recorded on the 'Live at Redlands University' CD 5-5-5-3

This was the first chart arranged by Lennie to be recorded by Stan's band. It is a great arrangement of a wonderful tune, and it features space for a trumpet solo (originally recorded by Conte Candoli...

You probably think you know this song...that is until you hear John Clayton's arrangement! He includes the rarely played verse, along with a slow ballad tempo and gorgeous woodwind colors to create a...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

Recorded on the Clayton-Hamilton Jazz Orchestra CD Explosive!, this dynamic and swingin' setting of the standard Since I Fell for You was designed to showcase master vibraphonist Milt Jackson (heard o...

Available again, here is Frank Mantooth's classic chart from 1987 as performed by the Ashley Alexander Big Band on Seems Like Old Times. Let your piano player show off with this stunning ballad arrang...