Noten für Flöte

for Flute and Piano. The second volume in this three-volume series continues the editor's wish to preserve Kuhlau's spirit, yet acknowledge the indigenous character of the flute.

for Flute and Piano. Originally in C Major, this third sonata of the three-volume series has been transposed to F Major to suit the flute better without creating problems for the piano.

Though originally composed for flute and violin, this duet is most often performed today by two flutes. It is interesting to note Bach's juxtapositioning of the first movement in E minor with the last...

Originally a violin and piano sonata, this work suits the flute beautifully. In several instances the editor has exchanged the flute part with the right hand of the piano for a more idiomatic result.

This edition is taken from an original 18th-century manuscript, with the unfigured bass line realized by the editor. Articulation markings, ornaments, and further editorial suggestions have been added...

for Flute and Piano. General Reid (1721-1807) spent 20 years of his military career in North America. During that time he composed music, and later he established the music department at the Universit...

For over a century this work has been better known as 'the Vivaldi concerto' for Flute, Oboe, and Bassoon, but it is now coming into its own as the 'trio sonata' it indeed is, originally for Recorder,...

Originally for flute, viola da gamba, and continuo, the high viola da gamba tessitura transcribes beautifully to the violin, and with few exceptions could also be played with 2 flutes and keyboard. Th...

for Flute, Violin and Continuo. Mondonville (1711-1772), a younger contemporary of Rameau, enjoyed considerable success in his day, especially for his vocal output. Although part two of this chamber t...

Resurrected from a concerto for flute and orchestra, this resultant composition is delightful to perform.

for Piccolo and Piano. A new arrangement of an encore favorite by esteemed flutist, William Bennett.

for Piccolo and Piano. Musical pieces depicting Horwood's eight aspects of birds. Mentally and musically stimulating. Along with the printed music, there is a visual component of 127 image slides whic...

for Piccolo and Piano. A collection of three pieces: two pieces showing an unusual side of Sousa and a march. Selections include: I'll Be Waiting for You at the Gate, I Kissed You in a Dream, The Resu...

for Piccolo and Piano. Three stunning and characteristic Bartok adaptations.

for Piccolo and Piano. Written to express feelings of a tragic loss. The composer has also arranged a version of this work for Piccolo, Strings and Harp (CM-39).

A melodious original work for piccolo (or flute) and piano. A superb addition to the piccolo repertoire.

for Piccolo and Piano. A wonderful opportunity to demonstrate the piccolo's versatility and virtuosity. Fun to play, excellent for programming.

for Piccolo and Piano. Pleasing, unpretentious music that is fun to play. These three pieces can be played individually or as a suite. Selections include: Down Where the Daisies Grow; The Sorcerer; Ca...

for Piccolo and Piano. A progressive collection of three solos designed to provide both practice and recital material. Movements include: Trapeze, High Wire, Somersaults (and other vaults)

for Piccolo and Piano. Premiered at the 1997 NFA Convention in Chicago. A niggun is a song without words repeated many times with slight variations in the Jewish Hassidic style. Wonderful program piec...

A bouncy, fun work for piccolo and piano. Great for students and encores.

for Piccolo and Piano. A charming, short piece inspired by the plant of the same name, also known as 'star grass,' which has a small flower that only opens in the morning, and sheds a tear when it is...

Cara Mia' is a love song originally written for solo guitar by Jeffrey Yost. It is dedicated to Jeffrey's wife, Regina Helcher Yost, and the words 'Cara Mia' mean 'my beloved.' In 2014, Regina commiss...

Scattered throughout the piece are elements of George Gershwin's Embraceable You. They appear sometimes as fragments and at other times as harmonic progressions. The storyline structure of the piece i...

All Work and No Play was composed in 2007 by Daniel Felsenfeld for his friend, piccoloist Stephanie Mortimore. He describes the music as 'demented, sad, funny without ever being whimsical, driving and...