Guillaume Connesson
Le Chant d'Orphee
pour Trompette en ut ou en sib et Orgue
Video
ansehen
PDF
ansehen
Guillaume Connesson
Le Chant d'Orphee
pour Trompette en ut ou en sib et Orgue
- Besetzung Trompete und Orgel
- Komponist Guillaume Connesson
- Ausgabe Partitur und Stimmen
- Verlag Gerard Billaudot
- Bestell-Nr. BILL10251
Lieferzeit 4-8 Arbeitstage
inkl. MwSt.,
zzgl. Versand
Nicht in allen Ländern verfügbar. Mehr erfahren
Beschreibung:
According to Greek mythology, the music of Orpheus, the legendary poet-singer and musician, had the power ta enchant Nature and tame ferocious beasts. Sa I conceived the piece as a long enchanting melody based on a nine-note motif corresponding ta the nine strings of Orpheus' lyre over modal chords.
The piece is in ternary form :
In the first section, the organ plays the lyre melodic line while the trumpet sounds the poet-musician 's vocal line. In the livelier middle section, a discontinuous motif unfolds over throbbing organ chords. A crescendo progressing in surging waves final/y reaches its climax on a high C in the trumpet part.
The return of the initial lyre motif brings a feeling of cosmic peace. At the end of the piece, like an echo from the depths of the ages, the mujjled sound of a trumpet (with cup mute) is heard quoting from Monteverdi's L'Orfeo.
The piece is in ternary form :
In the first section, the organ plays the lyre melodic line while the trumpet sounds the poet-musician 's vocal line. In the livelier middle section, a discontinuous motif unfolds over throbbing organ chords. A crescendo progressing in surging waves final/y reaches its climax on a high C in the trumpet part.
The return of the initial lyre motif brings a feeling of cosmic peace. At the end of the piece, like an echo from the depths of the ages, the mujjled sound of a trumpet (with cup mute) is heard quoting from Monteverdi's L'Orfeo.