The Forces Fanfare
The Forces Fanfare
for brass ensemble and percussion (6 hns. 6 tpts. 6 trbns. 2 tubas - timpani - perc(4/5): t.bells/cyms/susp.cym/tam-t/tamburo militare/BD) - Score and Parts
inkl. MwSt., zzgl. Versand
Lieferzeit 3-6 Arbeitstage
Malcolm Arnold
The Forces Fanfare
for brass ensemble and percussion (6 hns. 6 tpts. 6 trbns. 2 tubas - timpani - perc(4/5): t.bells/cyms/susp.cym/tam-t/tamburo militare/BD) - Score and Parts
The Forces Fanfare

Malcolm Arnold
The Forces Fanfare

for brass ensemble and percussion (6 hns. 6 tpts. 6 trbns. 2 tubas - timpani - perc(4/5): t.bells/cyms/susp.cym/tam-t/tamburo militare/BD) - Score and Parts

  • Besetzung 6 Hörner, 6 Trompeten, 6 Posaunen, 2 Tuben, Pauken und Percussion
  • Komponist Malcolm Arnold
  • Ausgabe Partitur und Stimmen
  • Verlag Faber Music
  • Bestell-Nr. 0571563430
Lieferzeit 3-6 Arbeitstage
inkl. MwSt., zzgl. Versand
Voraussichtliche Lieferung zwischen 25.02.2026 und 02.03.2026.
  • Kreditkarte
  • Rechnung Rechnung
  • PayPal
  • Sepa

Nicht in allen Ländern verfügbar. Mehr erfahren

Beschreibung:

  • Erschienen: 31.12.2002
  • Gewicht: 4 g
  • ISBN: 9780571563432
Sir Malcolm Arnold has composed fanfares for various occasions, ranging from military ceremonies to Gerard Hoffnung's celebrated comic musical extravaganzas on London's South Bank. The Forces Fanfare was written in July 1991, to a request from The United States Air Force Band, who gave the first performance in Washington in September that year as part of their 50th Anniversary Gala Concert. With the American origin of the commission in mind, Sir Malcolm thought it appropriate to use a motif from his Sixth Symphony, a work written 25 years earlier whose second movement is an affectionate homage to a great American musician, Charlie Parker. This motif (taken from the Symphony's finale) becomes the main theme in the central section of the Fanfare, launched by the first pair of trumpets to an accompaniment of driving energy and vigour. Here, and in the slower sections that surround it, Sir Malcolm makes full use of the serried ranks of brass at his disposal, to which he adds timpani and a substantial array of percussion, all of which come into play as the Fanfare broadens out into its appropriately grandiose conclusion.