Antonín Dvořák
Finale
from "The New World Symphony"
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Antonín Dvořák
Finale
from "The New World Symphony"
- Besetzung Blasorchester
- Komponist Antonín Dvořák
- Bearbeiter Julie Røssland
- Serie Norsk Concert Band Originals
-
Schwierigkeit
- Ausgabe Partitur und Stimmen
- Verlag Norsk Noteservice
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Beschreibung:
This arrangement was written for Norwegian School Band Madlamark Skolekorps to their participation at the Norwegian Championships 2023.
The arrangement will work excellent also for a wind ensemble (one player to each part), but the clarinet parts should always be doubled.
Euphonium II is optional, but it’s recommended to use also this when there are two players or more on this instrument. Concerning percussion, timpani is the most important part, but it’s recommended to also cover cymbals and mallet percussion.
The articulation and dynamics are kept as close as possible to the original version by Dvorak. However, some changes has been made to make it more suitable for a wind instrumentation. The timpani part is identical to the original version except for some places when the trumpet signals are doubled in the timpani part.
Staccato notation should not be played short here, but rather separated. At faster passages, the music should be played endurant or legato if possible.
This arrangement is a good opportunity to perform music of highest quality where musicality, phrasing, balance and intonation are very important, and, where each musician and part are deeply involved in the music making.
The arrangement will work excellent also for a wind ensemble (one player to each part), but the clarinet parts should always be doubled.
Euphonium II is optional, but it’s recommended to use also this when there are two players or more on this instrument. Concerning percussion, timpani is the most important part, but it’s recommended to also cover cymbals and mallet percussion.
The articulation and dynamics are kept as close as possible to the original version by Dvorak. However, some changes has been made to make it more suitable for a wind instrumentation. The timpani part is identical to the original version except for some places when the trumpet signals are doubled in the timpani part.
Staccato notation should not be played short here, but rather separated. At faster passages, the music should be played endurant or legato if possible.
This arrangement is a good opportunity to perform music of highest quality where musicality, phrasing, balance and intonation are very important, and, where each musician and part are deeply involved in the music making.