Were You There?
Were You There?
inkl. MwSt., zzgl. Versand
Lieferzeit 3-6 Arbeitstage
John P. Lynch
Were You There?
Were You There?

John P. Lynch
Were You There?

  • Besetzung Blasorchester
  • Komponist John P. Lynch
  • Schwierigkeit
    (mittel)
  • Ausgabe Partitur und Stimmen
  • Verlag Hebu Musikverlag
  • Bestell-Nr. HEBU-CAP11030
Lieferzeit 3-6 Arbeitstage
inkl. MwSt., zzgl. Versand
Voraussichtliche Lieferung zwischen 25.02.2026 und 02.03.2026.
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Beschreibung:

  • Erschienen: 01.08.2023
  • Genre: Traditionell, Konzertante Musik
Band
Number of Players:Standard
Copyright:2006
Flute 1
Flute 2
Oboe 1/2
English Horn
Clarinet in Bb 1
Clarinet in Bb 2
Clarinet in Bb 3
Bass Clarinet in Bb
Bassoon
Contrabassoon
Alto Saxophone 1/2
Tenor Saxophone
Baritone Saxophone
Trumpet in Bb 1
Trumpet in Bb 2
Trumpet in Bb 3
Horn in F 1/3
Horn in F 2/4
Trombone 1
Trombone 2
Trombone 3
Bass Trombone
Euphonium
Tuba
Piano
Harp
Timpani
Mallet 1 (vibraphone, crotales)
Mallet 2 (marimba, bells)
Percussion 1 (suspended cymbal, bass drum)
Percussion 2 (tam-tam, suspended cymbal, crash cymbals)
Were You There? is a tone poem based on the traditional hymn tune. The title becomes a philosophical and rhetorical question as the piece examines various contemporary views of the message of religion. A primary unifying musical element is the river motive, marked flowing, a metaphor for life. Two new themes are introduced: One, marked with conviction, presents a righteous viewpoint whose interpretation of the message of Christianity is literal, and a second, marked tenderly, that expresses an interpretation based on compassion. The ensuing section is a transformation of the river motive. An ongoing ostinato creates a sense of stasis and introduces a third point of view reflecting Buddhist philosophy, in which the themes are posed as questions. A brief piano solo, a cyclic idea that could go on forever, alludes briefly to the atheist point of view. This section culminates in the most straightforward presentation of Were You There?

The piece draws to a close with a forceful statement of the three main themes in juxtaposition to the hymn tune, which appears in augmentation in the horn and chime parts. The final conclusion is thus left to the listener.