Chor & Gesang

This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...

Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase “Gloria in Londinium, invictus, invicta” to symbolize the co...

Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase "Gloria in Londinium, invictus, invicta" to symbolize the coming togethe...

Bright mixed meters, syncopation, hand claps and canonic imitation bring spirit and life to this accessible work for young and developing voices. The text from Psalm 150 is sung in accessible Hebrew a...

This expressive anthem presents the story of the Nativity through Mary's eyes, but foreshadows the journey to the cross that is to come. It is set in a reflective minor tonality and a gently rocking 6...

This expressive anthem presents the story of the Nativity through Mary's eyes, but foreshadows the journey to the cross that is to come. It is set in a reflective minor tonality and a gently rocking 6...

Already a success with advanced high school and college choirs in its mixed and men's versions, this impressive, yet romantic piece, in a new treble chorus setting, is well-suited for festival high sc...

Blessed is he that comes in the name of the Lord. Set in an expressive 3/4 meter, the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use, it m...

Opening with a bright statement of the main theme with striking accents, dynamic contrasts and a pulsating rhythmic energy, this accessible work for treble voices transitions into a contrasting and mo...

Opening with a bright statement of the main theme with striking accents, dynamic contrasts and a pulsating rhythmic energy, this accessible work for treble voices transitions into a contrasting and mo...

Four movements from the end of the Passion section of Considering Matthew Shepard we hear from a deer. It has been well established that Matt loved the outdoors and it is fitting that a deer should si...

When Leonard Bernstein wanted to cleanse his pallet he studied Haydn. This chorus from Haydn's Heiligmesse is an ideal introduction to classical style and a wonderful vehicle for you as the director t...

When Leonard Bernstein wanted to cleanse his pallet he studied Haydn. This chorus from Haydn's Heiligmesse is an ideal introduction to classical style and a wonderful vehicle for you as the director t...

Extracting two movements from the Baroque composer, Antonio Lotti's Requiem Mass, here are two authentic, Baroque anthems for treble choir. Intended to be performed as a pair, a piano accompaniment is...

Sparkling with classical joy, this cheerful number gives choirs an approachable yet impressive anthem for general occasions. Using accessible contrapuntal devices, the piece has an old soul yet remain...

Uses: Call to Worship, Youth Choir Scripture: Psalm 118:24; Lamentations 3:23-23; James 1:17-18 Wake up to a brand new day with this fun song! With opportunities to feature a soloist, youth choir or p...

Uses: Call to Worship, Youth Choir Scripture: Psalm 118:24; Lamentations 3:23-23; James 1:17-18 Wake up to a brand new day with this fun song! With opportunities to feature a soloist, youth choir or p...

An expressive setting of the Collect for Compline, this short anthem for treble voices creates a reflective and spiritual mood for worship or sacred concert performances.

An expressive setting of the Collect for Compline, this short anthem for treble voices creates a reflective and spiritual mood for worship or sacred concert performances.

This famous hymn by Sebastian Temple was arranged for the British classical crossover quartet All Angels and adapts beautifully for four part upper voice choirs! With glorious soaring phrases and hear...

This substantial work for treble voices begins with a bell-like piano introduction before launching into the buoyant 6/8 strains of the body of the work. Jubilant rhythms dance over the underlying pul...

This substantial work for treble voices begins with a bell-like piano introduction before launching into the buoyant 6/8 strains of the body of the work. Jubilant rhythms dance over the underlying pul...

From the Mozart Missa Brevis K. 275, this delightful work has been adapted for treble voices. An excellent introduction to Classical era style and performance practice!

From the Mozart Missa Brevis K. 275, this delightful work has been adapted for treble voices. An excellent introduction to Classical era style and performance practice!