Chor & Gesang

Celebrate the work of one of America's best loved composers with this exciting arrangement by Philip Kern. This ragtime show-stopper opens with short male and female solos, adds the tight harmonies of...

Arranged for SATB Choir and Piano by Harry Simeone, with words by John Brimhall.

Palestrina is one of the towering figures of late Renaissance church music whose polyphonic compositions remain actively performed in the Choral repertoire. He composed more than 250 motets. This one,...

The Coral Sea takes its title and structure from the prose poem of the same name that Patti Smith wrote as a memorial to the great photographer Robert Mapplethorpe, who died in 1989.

A beautiful arrangement of the Besançon carol, with words by Eleanor Farjeon, suitable for all mixed-voice choirs at Advent. First published in the The New Oxford Easy Anthem Book.

Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines befo...

Freely based on Pachelbel's 'Canon in D', this joyous composition builds to a beautiful Alleluia section. It's an ideal introit or concert opener! Available: SAB.

Dieses sanfte Neujahrslied wurde zur Feier des 80. Geburtstags von HM The Queen komponiert. Es lässt sich sofort mitsingen und enthält die für John Rutters Musik so charakteristische warme, melodische...

This setting of a traditional Irish melody captivates audiences, especially in the second verse when the men carry the melody while the women sing a canonic descant. Voices subsequently join in homoph...

Wilberg creates a tender, gentle atmosphere for this arrangement of the popular Austrian carol. The two simple vocal lines (one for women and one for men) are supported by a steady, rich piano duet ac...

Now a staple in church literature, Henry Smith's praise song is effectively paired with the perennial O Come, Let Us Adore Him in this warm and worshipful arrangement by Phillip Keveren. The optional...

An all-time favorite of singers and audiences alike!

Now available for SATB, this swingin' novelty number from the 2000 Broadway musical Seussical The Musical includes a ready-made encore 'tag' for when your audience begs for more. Fabulously fun!

Alt (Chorst.) (2), Tenor (Chorst.) (2), Bass (Chorst.) (2)

1969 beauftragte die Sopranistin Leontyne Price Bonds mit der Vertonung von I Wish I Knew How It Would Feel to Be Free und drei weiteren Spirituals für die Aufführung mit dem Rust College A Cappella C...

This upbeat and exuberant arrangement of a classic American folk song is a real show-stopper. Chilcott combines easy but highly effective SATB textures with a straightforward piano accompaniment to ev...

This is a beautiful setting of an evocative poem by Emily Dickinson that explores the symbolization of hope as a bird. Quartel offers soaring melodic lines, rich harmonies, and a fluttering accompanim...

The orchestral and brass accompaniments are available for hire.

This is a joyful and expressive setting of the composer's own text, inspired by geographical features of Newfoundland. Wong employs gentle phrases, nimble rhythmical patterns, and a soaring solo desca...

This gentle arrangement for a cappella choir of the well-known fifteenth-century carol conjures a restful but evocatively melancholy atmosphere. The texture is varied by the use of a soprano or barito...