Chor & Gesang

I. We Are Marching in the Light of God (Siyahamba) II. Halleluya! We Sing Your Praises (Pelo tsa rona)

Delicate word-painting over a gently undulating accompaniment creates an expressive framework for an unforgettable concert moment. Available: SSAB, 2-Part. Performance Time: Approx. 2:40.

For centuries, the world's great composers have set the Ordinary of the Mass in a wide variety of styles. In his Gospel Mass, Robert Ray has surrounded these texts with the joyous styles of contempora...

Rollo Dilworth at his best! A powerful piano part coupled with strong choral writing makes this a perfect closer for all-state and honor choirs. Not to be missed!

This song by folksinger Patty Griffin was written in tribute to Dr. Martin Luther King, Jr. and vividly depicts the I've Been to the Mountaintop speech given the day before his assassination. Performe...

You can't sit still for this one! Hands will clap and toes will tap to this fresh gospel swing arrangement of My Father's House. Guaranteed to make even the most severe of church elders break into a s...

Charged with gospel-style excitement, this traditional spiritual, in new SATB and SSA voicings, comes alive in energy and style. A powerful chorus, hand claps, stacked vocal section and key change bui...

Dieses traditionelle Spiritual, das auch als "Keep Your Hand on the Plow" bekannt ist, eignet sich für Konzerte oder Wettbewerbe, für die Bühne oder den Altarraum. Die Sängerinnen und Sänger werden di...

Eine neue Chor-Reihe, die neue Maßstäbe setzt: An die Stelle der üblichen Traditionals treten legendäre Pop- und Jazzklassiker, die Arrangeure - darunter Jens Johansen, Bertrand Gröger, Oliver Gies, T...

(SATB) mit Combo (Klavier, Gitarre, Bass). Partitur = Klavierstimme.

Dieses bewegende Gospel-Highlight für Chor basiert auf dem bekannten Traditional aus den Südstaaten der USA. Franz Herzog schafft es mit seinem gelungenen Arrangement den tiefen spirituellen Inhalt mi...

Deutscher Worship und Gospelsong. Geschrieben und arrangiert für den gemischten 4-stimmigen Chor (SATB) mit Akkordangaben.

This Academy Award winning song of 1961 by Henry Mancini and Johnny Mercer gets a Basie-esque treatment in this swinging chart. Set in a 4/4 swing over walking bass, the vocal and instrumental lines p...

The wistful atmosphere evoked by this classic song from the 1960s offers a wonderful opportunity for beginning and developing jazz/pop choirs to build intonation and style through the Choral Explorati...

Zwei von Irving Berlins lebhaftesten Liedern sind hier in diesem lustigen Swing perfekt vereint, perfekt für gemischte Stimmen vieler Altersgruppen sowie für Männerchöre und Ensembles. Was für ein Spa...

Kirby Shaws Arrangement dieses beliebten Klassikers fängt die beschwingte Stimmung und die zeitlos inspirierende Botschaft des Originalhits von Burt Bachrach/Hal David aus dem Jahr 65 perfekt ein und...

Create a magical moment in your concert with this full-voiced setting of the Jerome Kern/Oscar Hammerstein II standard. Perfect for college level and up, the rich divisi choral textures are supported...

Classified by BMI as one #25 in the Top 100 Songs of the Century, this 1966 pop hit by Bobby Hebb has been covered by hundreds of artists. The soul-stirring melody will be a fantastic selection for vo...

Two legends combined in this duet with Tony Bennett and Amy Winehouse in the final recording made before her death in 2011. Adapted for jazz choirs, this setting retains the bluesy, ballad quality of...

Wie schön ist es verliebt zu sein: 'Blue days, all of them gone. Nothing but blue skies from now on. ' - Irving Berlins beliebter Song in einem dynamisch-jazzigen Arrangement mit optionaler Begleitung...

A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written...

Who can hear this wonderful show tune without picturing Gene Kelly singin' and dancin' in the driving rain, umbrella in hand! Ruth has captured the wonderful sense of the original and added her own to...

This is an arrangement of the 19th-century hymn by Philip Bliss, with words by Horatio Spafford following several personal tragedies. Wilberg keeps the first two verses in unison, before allowing full...