Bob Chilcott

Written for the BBC Last night of the Proms, this sensitive setting of the well-known Irish folk song does justice to the beauty of the original melody. Chilcott's harmonic subtleties add to the poign...

Ein bewegender, traditioneller irischer Segen, vertont mit Musik von großer Einfachheit und Schönheit. Chilcott fängt die Wärme und Aufrichtigkeit des Textes perfekt ein und webt eine einprägsame Melo...

Brimming with groove and energy, this is a terrific arrangement of the popular spiritual. Chilcott's syncopated melodies and jazzy harmonies are well supported by the piano accompaniment, which featur...

In this beautiful, expressive arrangement, rich vocal harmonies and gentle syncopations combine with the flowing piano part to create an exquisite song, full of tenderness and resignation. Also in Spi...

This beautiful setting of the Beatitudes from Matthew's gospel exemplifies the composer's skill and versatility in writing for mixed voices. He leads the choir smoothly through a range of keys and moo...

This beautiful setting of the Beatitudes from Matthew's gospel exemplifies the composer's skill and versatility in writing for mixed voices. He leads the choir smoothly through a range of keys and moo...

For SATB and piano. In this beautiful, expressive arrangement, rich vocal harmonies and gentle syncopations combine with the flowing piano part to create an exquisite song, full of tenderness and resi...

Mit dieser jazzigen Theater-Suite bringt Bob Chilcott über Texte von Charles Bennett neuen Schwung in die Shakespeare-Charaktere Ophelia (aus 'Hamlet'), Caliban und Miranda (aus 'Der Sturm'). Im funki...

Mit dieser jazzigen Theater-Suite bringt Bob Chilcott über Texte von Charles Bennett neuen Schwung in die Shakespeare-Charaktere Ophelia (aus 'Hamlet'), Caliban und Miranda (aus 'Der Sturm'). Im funki...

In this jazzy setting of William Blake's Introduction to his Songs of Innoncence, Chilcott's extended harmonies and syncopated melodies bring new energy to the text, challenging the expectation of the...

In this jazzy setting of William Blake's Introduction to his Songs of Innoncence, Chilcott's extended harmonies and syncopated melodies bring new energy to the text, challenging the expectation of the...

Sing we and chant it sets the text of a well-known sixteenth-century madrigal of the same name by Thomas Morley in a jazz waltz style. Chilcott injects energy and fun into the piece through a quick th...

This setting of St Benedict's 6th-century prayer begins with a gentle recurring figure in the keyboard, building to a rousing climax. The primarily homophonic texture allows the timeless text to shine...

Jesus, Springing is a beautiful and tender carol that sets a text by Kevin Crossley-Holland. Tuneful and imitative vocal lines combine with a gently flowing keyboard part to create a delightful Christ...

Jesus, Springing by Bob Chilcott is a beautiful and tender carol that sets a text by Kevin Crossley-Holland. Tuneful and imitative vocal lines combine with a gently flowing keyboard part to create a d...

Showcasing Chilcott's exceptional talent for large-scale choral writing, Salisbury Vespers pays homage to this most ancient of services, combining settings of the traditional Vespers psalms with anony...

This triumphant anthem for mixed voices and organ sets a well-known Easter text by Edmund Spenser. Building from a calm, reflective soprano melody to a grandiose fortissimo climax for full choir under...

This Easter anthem sets the second part of George Herbert's poem 'Easter', famously set in full by Ralph Vaughan Williams in his Five Mystical Songs. The opening section has an almost pastoral feel, w...

This Easter anthem sets an evocative text by J. M. C. Crum. Stately, expressive vocal lines are underpinned by a lively organ part, with crisp staccato melismas that pop out of the texture.

For SATB and organ, small ensemble, or orchestra With a restrained tempo and expressive harmonies, this tender anthem sets an extract from the Book of Common Prayer that implores God to listen to our...

Bob Chilcott komponierte die beiden Abendgesänge für das Three Choirs Festival 2015. Im schnellen und rhythmischen 'Magnificat' wird der Chorsatz von synkopierten Einwürfen der Orgel durchbrochen. Das...

Chilcott's setting of Psalm 96 is bright, optimistic, and celebratory. The sparkling organ part and fluctuation between 7/8 and 4/4 metres give the opening and closing sections a dance-like feel, whil...

This setting of St Benedict's 6th-century prayer begins with a gentle recurring figure in the keyboard, building to a rousing climax. The primarily homophonic texture allows the timeless text to shine...

Eine sinnträchtige und bewegende Bearbeitung von Sergei Rachmaninows Satz aus seiner 'Ganznächtlichen Vigil' mit Gitarrenbegleitung und Altsolo.

Fuller's 'Evening Hymn' with the plainsong melody 'Te lucis ante terminum'.