Noten für Chöre

The 1964 theme of the classic French film The Umbrellas of Cherbourg has become a popular jazz standard, recorded by dozens of artists. You'll love the charming chromatic melodic theme of watch what h...

Dieser Uptempo-Klassiker wurde ursprünglich 1963 von Johnny Mercer für The Pink Panther geschrieben und von Michael Bublé auf seinem Album Call Me Irresponsible aus dem Jahr 2007 gecovert. Er sprüht v...

Mercy overflowing, rushing and rolling - the inspirational sounds of the Gaither Vocal Band's southern gospel classic liken God's love to a great river and will lift your concert to new heights of cel...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...