Noten für Frauenchor

Recent scholarship postulates that this anonymous motet for the Feast of the Assumption of the Blessed Virgin Mary was in fact written by Leonora d'Este, daughter of Duke Alfonso I and Lucrezia Borgia...

The opening of this motet displays Massaino's skill in the art of word-painting with soaring lines that play on the word 'arise' (Surge). Punctuated with occasional homophonic writing, the beautiful m...

Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring, encouraging singers and listeners to reflect on the challenges of present times and to move forward with coura...

Heart of Earth enthält Auszüge aus Gedichten von Laura Purdie Salas, die reich an lebendigen Beschreibungen der natürlichen Welt sind. Rajasekar fühlte sich von diesen Texten angezogen, weil sie einen...

Marie-Claire Saindons Keeping Time for Joy spiegelt die Freude im Text der zeitgenössischen Schriftstellerin Sarah Windle in diesem erbaulichen Stück wider. Volkstümliche skalierte Melodien, die durch...

Dieses dreisätzige Werk, das den "Schwestern überall" gewidmet ist, kombiniert eine Reihe von Themen mit der Poesie von Sara Teasdale. Der erste Satz, "Sister of the Sky" (Schwester des Himmels), konz...

For SSAA unaccompanied - The texts are translations of ancient Chinese poems.

Eine rätselhafte weibliche Präsenz wirbelt in einer dunklen und beunruhigten Lautstärke, mit kurzen und scharfen Sätzen: Diese erste Hälfte von Florence Delays Gedicht "Ghost" ist wie ein unterdrückte...

Olli Kortekangas suite in four movements (text in Finnish) is suitablbe for juvenile choir.

Tre naturscener for descant choir (1976-77, rev. 2016) by Lars Karlsson is set to Gustaf Fröding's vivid poems in Swedish.

Composed in 2016 for the Maîtrise de Radio France, 'Ce n'était pas nous' for upper voices sets short poems by Antoine Thiollier which are at once playful and serious.

A collection of SSAA Barber Shop pieces.

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

This is classic American choral writing. Opens with a legato 'oo' passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.

An original work for 3-part choirs (mixed or treble) in an authentic madrigal style, complete with fa-la-la refrain. Opening section features independent vocal writing; 'B' section is homophnic. Class...

An original work for 3-part choirs (mixed or treble) in an authentic madrigal style, complete with fa-la-la refrain. Opening section features independent vocal writing; 'B' section is homophnic. Class...

An emotional and electrifying new arrangement of a classic American work, with your choice of accompaniment options, including full concert band. Fine choral writing is the hallmark of this work, with...

An emotional and electrifying new arrangement of a classic American work, with your choice of accompaniment options, including full concert band. Fine choral writing is the hallmark of this work, with...

An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

A finely crafted edition of the classic English madrigal. The editing and easy-to-read open score are right on target for today's choirs. Fluid contrapuntal sections contrast with full sounding homoph...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

Here's a no-nonsense choral masterwork from the Renaissance era skillfully edited and arranged for SSA voices by Patrick Liebergen. It's canonic in nature, with a strong melody which is echoed by all...