Noten für gemischten Chor

Hammerstein and Kern's popular hit, and part of the American songbook, is presented with a light and jazzy Latin feel, complete with optional instrumental parts or rhythmic accompaniment track. Smooth...

Wie schön ist es verliebt zu sein: 'Blue days, all of them gone. Nothing but blue skies from now on. ' - Irving Berlins beliebter Song in einem dynamisch-jazzigen Arrangement mit optionaler Begleitung...

Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords t...

Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords t...

Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords t...

Irving Berlin's classic is presented here in a gentle, sweet groove with simple jazz vocals and soft rhythm. Beginning with an easy vocal riff, the familiar melody is accompanied by refreshed chords t...

This is a cheerful, uptempo, jazzy setting of a children's poem originally entitled 'The Boogie Woogie Beagle Blues'. A delightfully whimsical change-of-pace for any fine choir!

This is a cheerful, uptempo, jazzy setting of a children's poem originally entitled 'The Boogie Woogie Beagle Blues'. A delightfully whimsical change-of-pace for any fine choir!

Mac Huff keeps things movin' with this swingin' arrangement of Duke Ellington's masterpiece.

Mit dieser jazzigen Theater-Suite bringt Bob Chilcott über Texte von Charles Bennett neuen Schwung in die Shakespeare-Charaktere Ophelia (aus 'Hamlet'), Caliban und Miranda (aus 'Der Sturm'). Im funki...

Mit dieser jazzigen Theater-Suite bringt Bob Chilcott über Texte von Charles Bennett neuen Schwung in die Shakespeare-Charaktere Ophelia (aus 'Hamlet'), Caliban und Miranda (aus 'Der Sturm'). Im funki...

In this jazzy setting of William Blake's Introduction to his Songs of Innoncence, Chilcott's extended harmonies and syncopated melodies bring new energy to the text, challenging the expectation of the...

In this jazzy setting of William Blake's Introduction to his Songs of Innoncence, Chilcott's extended harmonies and syncopated melodies bring new energy to the text, challenging the expectation of the...

This is a high energy, foot-tap inducing setting of a well-known text. The bluesy melodies, jazzy harmonies, and swung rhythms give the piece a gospel feel and fill you with the infectious urge to boo...

This is a high energy, foot-tap inducing setting of a well-known text. The bluesy melodies, jazzy harmonies, and swung rhythms give the piece a gospel feel and fill you with the infectious urge to boo...

This salute to the spirit of Louis Armstrong breathtakingly incorporates 'Basin Street Blues', 'Lady be good', 'Tiger Rag', 'When the saints go marching in', and more surprisingly excerpts from 'Clair...

'Slow Down' has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllab...

Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllable...

Sing we and chant it sets the text of a well-known sixteenth-century madrigal of the same name by Thomas Morley in a jazz waltz style. Chilcott injects energy and fun into the piece through a quick th...

A light, swinging, Jay Althouse arrangement of a Duke Ellington 'standard. ' Features accessible voice leading and some simple scat syllables. . . but no vocal improvisation. Accessible voice leading....

A light, swinging, Jay Althouse arrangement of a Duke Ellington 'standard. ' Features accessible voice leading and some simple scat syllables. . . but no vocal improvisation. Accessible voice leading....

A light, swinging, Jay Althouse arrangement of a Duke Ellington 'standard. ' Features accessible voice leading and some simple scat syllables. . . but no vocal improvisation. Accessible voice leading....

A light, swinging, Jay Althouse arrangement of a Duke Ellington 'standard. ' Features accessible voice leading and some simple scat syllables. . . but no vocal improvisation. Accessible voice leading....

Jay Althouse has put together a trio of jazz tunes for young choirs. It opens with a light swing number, followed by a traditional vocal jazz ballad, and closes with a tight, up tempo chart reminiscen...