Noten für gemischten Chor

Based on a cantillation melody collected by the composer's father in the 1920s, this short work suggests ancient origins. The tonality reflects very little of the modes we often associate with orienta...

From Part III of the oratorio Judas Maccabaeus, this joyful chorus dances with Baroque jubilation, now in an excellent performing edition with historical notes and background.

From Part III of the oratorio Judas Maccabaeus, this joyful chorus dances with Baroque jubilation, now in an excellent performing edition with historical notes and background.

From the Handel oratorio Israel in Egypt, this lovely pastorale movement for four-part mixed voices in a new performing edition draws the comparison of the shepherd and his sheep and the exodus of the...

As one of America's exciting young composers, Dominick DiOrio is stretching the boundaries of choral music. In Alleluia, he explores the percussive qualities of the voice and the lyrical quality of th...

Craig Hella Johnson is one of the most creative programmers, conductors and composers in America. This new work, with a text by the late young poet, Mattie Stepanik, is a simple and spacious setting o...

English Only.

The publication of this madrigal-like chorus marks the first time a separate octavo from Ottorino Respighi's (1879-1936) Laud to the Nativity has been made available. Dance with the shepherds as they...

The text of Tzadik Katamar is the final verses of Psalm 92. Composer Emanuel Kirschner served as chief cantor of Munich for much of his career. His setting, written for solo cantor and organ, original...

As part of the new Judith Clurman Rejoice: Honoring the Jewish Spirit series this rhythmic and energetic setting of Psalm 150, Praise the Lord, Praise God in His Sanctuary is in Hebrew. A clear and co...

As part of the new Judith Clurman Rejoice: Honoring the Jewish Spirit series this rhythmic and energetic setting of Psalm 150, Praise the Lord, Praise God in His Sanctuary is in Hebrew. A clear and co...

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

Two separate pieces under one cover - Hineih Ma Tov and Oseh Shalom - the first from Psalm 133 and the second from the book of Job and both expressing the hope and desire of a peaceful world.

Two separate pieces under one cover - Hineih Ma Tov and Oseh Shalom - the first from Psalm 133 and the second from the book of Job and both expressing the hope and desire of a peaceful world.

Exploring the sound world of Northern India while setting the words of Bengali poet Tagore, here is a stylistic new work suitable for any community choir. The English translation is the poet's own and...

Exploring the sound world of Northern India while setting the words of Bengali poet Tagore, here is a stylistic new work suitable for any community choir. The English translation is the poet's own and...

The cries of the damned begin this powerful 2nd movement from the Mozart Requiem. Day of wrath, day of judgment make a dramatic statement indeed to begin the music. The chorus is mostly homophonic whi...

The cries of the damned begin this powerful 2nd movement from the Mozart Requiem. Day of wrath, day of judgment make a dramatic statement indeed to begin the music. The chorus is mostly homophonic whi...

This offering from the pen of Mary McDonald, based on Psalm 30 sparkles with energy from beginning to end. The driving rhythms that begin the piece give way to a slightly more legato section and then,...

Diese klassische Rutter-Hymne mit ihrer charaktervollen Klavier- oder Orchesterbegleitung sollte in keinem Chorrepertoire fehlen!

This attractive anthem demonstrates Archer's gift for melody and structure. Tuneful and appealing, it can be used at any time within the Church's year but is particularly suitable during Advent and Ea...

For SATB choir, solo trumpet, and organ - Commissioned by the Worshipful Company of Barbers in celebration of their 700th anniversary and first performed at the United Guilds Service in St Paul's Cath...

Showcasing Chilcott's exceptional talent for large-scale choral writing, Salisbury Vespers pays homage to this most ancient of services, combining settings of the traditional Vespers psalms with anony...

This attractive setting of Reginald Heber's 1811 hymn for Epiphany was originally published as part of The New Oxford Easy Anthem Book. Bullard brilliantly captures the mood of the text through varied...

Setting a text by David Warner, this charming composition has a warm, memorable tune and rich, expansive harmonies. Wilberg masterfully moves through different keys and scorings, culminating in a stir...