Noten für gemischten Chor

The text for this arrangement of the second of William Walton's Two Pieces for Strings from Henry V' is based on the line 'Touch her soft mouth, and part' from Shakespreare's Henry V (Act 2, Scene 3)....

This serene communion motet sets the last two verses of the Pangue Lingua and oscillates between 3/4 and 4/4 time signatures. The melodic lines are expressive and at times melismatic, and the divisi i...

This setting of texts from Cymbeline and The Merchant of Venice, and Sonnet 98, is characterised by inventive textures and vibrant word-setting. The harmonic language is mostly diatonic but never plai...

Cecilia, Busy Like a Bee is a reflective setting of a text adapted from the Divine Office for St Cecilia's Day. The influence of plainchant is particularly apparent in the soprano solo, and McDowall i...

This lively and joyous arrangement of the folksong 'Montagnarde' from the Haute-Auvergne region of France makes playful use of the call of the cuckoo in a catchy refrain. 'Montagnarde' is featured on...

Chilcott's arrangement of 'Viens par le pre', a folksong from the Haute-Auvergne region of France that presents a heartfelt expression of love, is tender and expressive, with rich, warm harmonies. 'Vi...

Ya basta!' is a Spanish saying that roughly translates to 'Enough is enough!'. Regan has combined this with text from a poem by the Spanish poet Antonio Machado. Ya Basta! has an exuberant and carefre...

Commissioned by Ralph Woodward and the Fairhaven Singers in memory of Dora Kemp, one of the choir's sopranos, God is Light sets lines from Psalm 139, 1 Thessalonians, and 1 John. It moves from an unse...

This powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatoni...

The text for this piece is a response to Allen Ginsberg's A Supermarket in California by Latvian poet Karlis Verdins, translated by Ieva Lesinska. Jackson exploits its dramatic intent, giving space fo...

With a newly written text by Angier Brock, this compelling anthem by Cecilia McDowall is a welcome addition to the traditional Easter repertoire. Easter Light explores a variety of styles and colours,...

Helvey's skilful arrangement of the popular hymn by American Baptist minister Robert Wadsworth Lowry is joyous and affirmatory. It is suitable for performance throughout the liturgical year, and the s...

For SATB unaccompanied. Described by Elgar as an elegy for unaccompanied chorus, this mournful, reverent setting was composed for a service commemorating Queen Victoria on the anniversary of her death...

For SSAATTB unaccompanied.

For SSAATB unaccompanied.

For SATB double choir unaccompanied.

For SATB double choir unaccompanied. Setting words from the Ordinary of the Lutheran Mass, this brief but resoundingly effective piece is perfect for opening a choral concert. The piece begins with ea...

For SATB (with divisions) unaccompanied.

For SATB unaccompanied. This joyful setting of an old Irish air, arranged by Sir Charles Villiers Stanford and edited by John Rutter, features a text by Thomas Moore on life's fleeting pleasures. A re...

Well suited to beginners, this is a piece of elegant simplicity that remains in rhythmic unison throughout, with focus placed on the dynamic range. Its text, written by the composer, emphasizes the co...

This anthem for unaccompanied choir juxtaposes the words of the Antiphon for the Washing of Feet on Maundy Thursday with 'The red rose whispers of passion' by the poet John Boyle O'Reilly. Jackson com...

This attractive motet was written for performance alongside Brahms's Requiem. The gracefully sculpted music clothes the text with touching melodies, expressive harmonies and varied sonorities.

This setting of Orlando Gibbons and Catullus is a re-working of Gibbons's celebrated 17th-century madrigal (of the same title) for five voices. It retains the lilting depiction of the swan and the ori...

For CCBar unaccompanied. This title features the celebrated spirituals 'Steal away' and 'My Lord, what a morning!'. With their repeating choruses and verses, the arrangements are quick to learn yet ef...

for SATB unaccompanied