Noten für gemischten Chor

Khorurd Metz is an Armenian sacred hymn, or sharakan, for the feast of the Nativity. Movses Khorenatsi, who wrote both the words and the melody, was one of the Armenia's greatest sharakan composers, a...

Javier Busto's Kuttun Kantak (Night Songs) is a set of three songs: a lullaby with characteristic cross-rhythms; a prayer in irregular metre; and a song of rejoicing. An English text by Bob Chilcott i...

Setting a 15th-century English text, this carol by David Hamilton alternates a lullaby refrain with a starker, more declamatory style setting references to Jesus' crucifixion. Originally published in...

In Vic Nees's arrangement of this traditional Flemish carol the harmonization becomes richer with each successive verse, culminating in six-part harmony in verse 4. An English text by Bob Chilcott is...

From the collection Epiphany to All Saints for Choirs, this beautiful and graceful antiphon for the feast of the Presentation of Christ in the Temple is here edited by Timothy Morris. Scored for SATB...

From the collection Epiphany to All Saints for Choirs, this meditative 16th century work for feast of the Presentation of Christ in the Temple is here edited by Timothy Morris. Scored for SSATBB and i...

Originally published in Epiphany to All Saints for Choirs, this polyphonic motet perfectly captures the style of its time, with beautifully designed counterpoint and melismatic passages. Suitable for...

From the collection Epiphany to All Saints for Choirs, Tallis's five-part setting of the Nunc dimittis is here edited by Stephen Rice. Scored for SATBB unaccompanied and including a piano part for reh...

From the collection Epiphany to All Saints for Choirs, this Matins canticle has a text based on verses from Isaiah. Scored for SATB unaccompanied with soprano and tenor solos, it is most suitable for...

From the collection Epiphany to All Saints for Choirs, this lucid antiphon for the Epiphany is here edited by Timothy Morris. Scored for SATB unaccompanied and including a piano part for rehearsal pur...

Originally published in Epiphany to All Saints for Choirs, this antiphon for All Saints' Day features all the hallmarks of the sixteenth-century polyphonic style. Includes both Latin and English singi...

The composer has combined a single line of Latin, 'O virgo splendens', with an earthy, late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qua...

An Affirmation is a setting of an elegiac text by Richard Brett conveying the themes of grief and remembrance. The piece opens with a single voice that grows into a warm chordal passage. It gains mome...

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...

The Island Itself is a setting of the poem Homage to Omey by Irish poet, Joan McBreen. The imagery of the sea conveyed in the text is reflected through lilting, syncopated rhythms. The melody is suppo...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

This setting of Edward Caswall's well-known text shows all the hallmarks of McGlade's characteristic style, with changing time signatures, beguiling chromaticisms, and a beautiful, fluid melody. Chang...

A short upbeat setting of words from Psalms 9, 95, and 97, Cantate Domino opens with a triple-metre dance-like section that features optional clapping. Brown juxtaposes a darker, more chromatic middle...

Commissioned by Sonoro for the second instalment of their Choral Inspirations project, McDowall has composed Crucifixus Reimagined as a response to Lotti's Crucifixus from Credo in F. Use of suspensio...

For SATB choir and optional organ - This work sets a text by Philip Sidney. It begins with a soprano solo, followed by slow-moving SATB passages interspersed with jaunty whistling.

This compact anthem for unaccompanied choir is the result of another successful collaboration between Bob Chilcott and the poet Charles Bennett. Well-crafted and tender melodic lines are shared betwee...

A lively and folk-like setting of a traditional Jewish song. These three folksongs are colourful, original settings well within the grasp of most amateur choirs.

An expressive setting of the text of a traditional folk hymn. An arrangement for men's voices is also available.

One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex central section with fluctuating time signatures and shifting tonalities. Ideal for advanced mixed-voi...