Noten für gemischten Chor

John Tavener's 1986 setting of the Lord's Prayer for SATB choir unaccompanied. The piece is presented twice, with texts in English and Church Slavonic, and the structure is one of a bar-less rhythmic...

A work for unaccompanied SATTBB choir, constructed in the form of a Byzantine Canon. The work was commissioned by James Lancelot and the Choir of Durham Cathedral who gave the first performance on the...

Tavener's 1987 work for unaccompanied SATB choir. Includes piano accompaniment for rehearsal purposes. This is a special item which is made to order. Please e-mail our Mail Order Department for furthe...

These two pieces for unaccompanied SATB choir were commissioned by Stephen Cleobury and the Choir of King's College, Cambridge. They were first performed in King's College Chapel on the 4th April 1987...

Sea Runes is scored for unaccompanied choir AATBBB or SATBBB set to text by George Mackay Brown. It is a haunting and evocative setting of a group of six poems by the Orkney poet, George Mackay Brown...

A work for 13-part unaccompanied SATB choir, with words by William Blake and music by John Tavener. The Tyger was written for Philip Sherrard for his 65th birthday. It was composed in Katounia, Greec...

A piece for unaccompanied SATB choir, the text of which is based on a line from St. Matthew 9:9. The music was written to represent the work of St. Matthew. In three mounting steps, the music represen...

This work for unaccompanied double choir (SATBSATB) was commissioned by the Summer Music Society of Dorset. It was first performed in May 1989 at Sherborne Abbey, Dorset, by the Tallis Scholars conduc...

For SATB Choir A Cappella. Edited by Patrick Little.

This work for unaccompanied SATB choir was commissioned for the opening of the 1990 City of London Festival. The performance was given on the 8th of July by the Choir of St. Paul's Cathedral conducted...

A Cappella for 28 Voices. First performed by the BBC Singers.

This motet for unaccompanied SATB choir was commissioned for the 500th anniversary of King's College, Cambridge. This is a setting in Greek of an Orthodox prayer to Christ as Son and Word, God and Man...

A short work for unaccompanied SSAATBB choir using a poem based on Serefis' Eonia (The Jasmin). The text uses both English and Greek. This work was commissioned for the 27th Seminar on Contemporary Ch...

This work for unaccompanied SATB soli and choir was commissioned in the name of Sir Thomas Armstrong by the Musicians Benevolent Fund, for performance at the St. Cecilia's Day service in Westminster A...

Corpus Christi, With Cat And Mouse is a setting of fragments selected from the Richard Hill Commonplace Book, an early 16th century manuscript in the library of Balliol College, Oxford. Commissioned b...

For SATB Choir A Cappella. Text: Francis Thompson. Premiere: St Paul's Cathedral Choir under the direction of John Scott, July 1994.

This prayer is the foundation of Orthodox faith in the Holy Trinity. Says Tavener: 'In setting it to music, I have tried to capture something of the deep conjunction and repentance which lie at the he...

Peter Maxwell Davies' 1994 work for unaccompanied SATB choir, using text from George Mackay Brown's 1971 poem A Hoy Calendar. A girdle round the year in five minutes. In twelve clear, simple images Ge...

The mood of As One Who Has Slept, taken from the great liturgy of St. Basil on Easter Saturday morning, is full of awe, silence and expectation. The atmosphere is deeply solemn as we stand before the...

For unaccompanied treble chorus of mixed voices (SSSAAATTTBBB).

A moving work written by Tavener in loving memory of his father. For solo tenor (or baritone) and unaccompanied choir SATB, with optional strings.

For solo tenor (or bass) with small group of basses and unaccompanied SATB choir, composed by Tavener in 1997. 'The Ancient Saints of France (pre-schism) are acknowledged deeply revered by the Orthodo...

In this piece for unaccompanied SATB choir, fervent, dance-like music appears side by side with fear and awe, producing a dramatic contrast. The work was commissioned jointly by the Dean and Chapter o...

This is a wonderful work for unaccompanied SATB choir, to be sung with enormous intensity and sonority. First performed in June 1998 by the Chester Cathedral Choir conducted by David Poulter. This is...

Dear Willoughby was written for the memorial service of Willoughby Pountney in 1998. The Nailsea Choral Society were conducted by Tim Donaldson, with Emilia Pountney (soprano) and Roger Sansom (huntin...