Noten für gemischten Chor

Thou, my love, art fair sets the William Baldwin poem Christ to his spouse. This delightful song makes full and effective use of the voice parts and features charming harmonies and interweaving melism...

Das Vaterunser als höchstes Gebet des Christentums wird hier in einem schlichten, aber nicht banalen Satz von Javier Busto vorgelegt. Das Werk beschreibt einen sehr ruhigen, demütigen und leisen Chara...

O Come, Let Us Sing Unto The Lord was written for Stephen Layton and Polyphony by Morten Lauridsen. Purchase the sheet music for unaccompanied SATB chorus. This setting has been recorded on Lauridsen:...

A profoundly beautiful text describes a child in her bed at night, staring out of her high-rise window at a view obscured by a thick haze, her bedroom flooded with sounds from the city. Such a child m...

This uplifting anthem sets the Invocation text from Carmina Gadelica. McDowall's beautiful melodies flow and intertwine, decorated by scotch snaps that reflect the text's origin. Suitable for services...

Fluid vocal lines and a sensitive text both shine in this powerful, yet heartfelt, recollection of a loved one no longer here with us. Perfectly capturing the essence of love that lives forever, it is...

Die mittelschweren, sehr prägnanten Stücke sind von engagierten Laienchören problemlos zu bewältigen. Mit seiner höchst eindrucksvollen musikalischen Sprache trifft Furrer auf die Poesie und zeitlose...

This masterful setting of God's Grandeur by Kenneth Leighton composed quite early in his career has characteristic mid-century muscularity. One can discern the influences of Hindemith and Dallapiccola...

This setting can be found both in Five Traditional Songs and Folk Songs for Choirs 1. The text is simple, while the arrangement is varied and charming.

This widely performed Renaissance masterpiece is available for the first time in an SAB edition. Set in the original key of F major, the beauty of Palestrina's polyphonic writing is maintained while m...

Komposition von Rihards Dubra für unbegleiteten gemischten Chor mit lateinischem Text.

Two prayers of St. Edmund, beautifully set for 'a cappella' choir. Technically, this piece is well within the grasp of most choirs and would make a memorable concert work, anthem or introit.

Predominantly hushed and serene, Plainsongs for Peace and Light proved to be Jonathan Harvey's final work. It sees Harvey re-examining the very fundamentals of his craft - superimposing lines of plain...

Morten Lauridsen's setting of Chanson Eloignee arranged for unaccompanied SATB choir. Lauridsen was commissioned by the Pacific Chorale (Directed by John Alexander), to write an a capella work for the...

In celebration of the 250th anniversary of Robert Burns' birth in 1759, here is the beloved Scottish air as arranged for the King's Singers by founding member Simon Carrington. Rich harmonies unfold i...

Hungarian composer Gyorgy Orban arranged this Shakespeare text for a cappella mixed voices, works well with high school or adult choirs.

Originally scored for treble voices (HMC2065), this mixed chorus voicing is just as successful. Try the piece with other 'global' music on your spring concert or on any festive occasion in the church.

Version for SATB Choir A Cappella with piano accompaniment for rehearsal.

A simple setting of this popular medieval Advent carol which has great originality and impact. The style is controlled, almost austere, and the effect is hypnotic. This is an unsettling but poignant p...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...

Tarney's setting of this traditional Scottish text offers catchy melodies and folk-inspired harmonies, driven by a rhythmic piano accompaniment. The ballad is framed by a repeating, haunting, and ethe...

McGlade's setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses, a...

This is a beautiful setting of words from Act 3 Scene 2 of The Tempest. The opening soprano and tenor melody is based on a dreamlike, oscillating two-note cell which threads throughout the piece, broa...