Noten für gemischten Chor

One of the simplest and best-loved of 16th-century anthems.

Another issue in the Church Music Society's series of great 16th-century Responds, John Sheppard's Reges Tharsis is for the season of Epiphany, celebrating the visit of the Magi to the infant Jesus. T...

This short anthem or introit by Jack Redman uses verses from Kate B. Wilkinson's touching hymn 'May the mind of Christ my Saviour', first published in 1925. Scored for SATB, it may be sung unaccompani...

This fine Respond by Thomas Tallis is scored for SATTBarB, with the chant placed in the 2nd Tenor part. Intended for the Feast of Corpus Christi, it can be sung at any Eucharistic service, either as a...

Der verstorbene David Trendell, der als Gelehrter und Chordirigent sehr bewundert wurde, komponierte diese Preces & Responses für SATB, als er um 1985 Orgelschüler am Exeter College in Oxford war. Kür...

Die beiden beliebtesten Madrigale von Robert Lucas Pearsall, Great God of Love und Lay a garland für SSAATTBB, wurden hier von Patrick Russill an die eucharistischen Verse O salutaris Hostia und Tantu...

This subtle setting of the popular carol is soft and gentle, never louder than mezzo-piano. The ethereal background starts in a high register with a repeated figure that evokes tranquility. A differen...

For SSATB unaccompanied - While perhaps Tallis and Byrd's Lamentations are better known, Robert White's Lamentations reflects a uniquely bleak and austere vision and is surely one of the composer's fi...

For SSAATTBarB unaccompanied - Descendi in hortum meum is an original setting of the Song of Solomon, unique in that it is arranged for seven voices while still capturing the lush and beautiful essenc...

Helvey sets a combination of sacred texts to beautiful music. Similar to his Cor mundum crea in me Deus, Helvey writes mainly in homophonic textures, with thick, lush chords.

A very exciting and dramatic arrangement of a traditional early American folk hymn made up of contrasting sections of homophonic textures and a soprano melody against a rhythmic background.

Out of the depths is a reflective, homophonic, and beautifully written work. The choral parts are very accessible, yet the resulting sound is rather sophisticated and thoughtful. This setting of Psalm...

For SATB with optional solo, unaccompanied. This is a sonorous and dramatic arrangement. It opens with an optional solo that may be sung by the sopranos, and, towards the end, the rest of the choir si...

This is a moving arrangement of the familiar passage from the Book of John. Larsen takes an original melody and arranges beautiful harmonies underneath with delicate suspensions. This is a rewarding a...

For SSAATTBB unaccompanied

For SATB unaccompanied - This setting has a distinctly plainsong feeling. Its thematic material is freely drawn from Gregorian Mass IV.

For SSAATTBB unaccompanied - No. 1 of Three Advent Motets

For SSAATTBB unaccompanied - No. 2 of Three Advent Motets

For SSAATTBB unaccompanied - No. 3 of Three Advent Motets

For SATB unaccompanied

For SATB unaccompanied with baritone solo - A simple, tender setting of a beloved American folk carol.

For SAATB unaccompanied - A powerful introit or short anthem based on Revelations 3:20.

All are bound to get caught up in the energy and fervour of this new setting of the spiritual Ride On, King Jesus. Wertsch uses the full range of dynamics and so adds intensity and variety to the vers...

For SATB unaccompanied - From the composer of the highly acclaimed There is no rose, a set of responses that are already proving popular with church and cathedral choirs alike. They are very approacha...

SATTBB unaccompanied None of the sources of this piece has a text; however, the title clearly suggests a link with Psalm 42 - 'Like as the hart desireth the waterbrooks'. The editor, Tim Symons, has s...